Oriana Fallaci: The Rhetoric of FreedomBerg Publishers, 01.10.1996 - 224 Seiten Oriana Fallaci (b. 1930) is an awkward presence on Italian bookshelves, in world journalism and among feminists. This book, the first literary study of Fallaci, examines the implications of the storms and silences that she keeps rousing. A fully emancipated and successful woman in the man's world of political journalism, she has antagonised many feminists by her championship of motherhood and her idolization of heroic manhood. In journalism, her critics have felt that she has outraged the conventions of interviewing and reporting. As a novelist, she shatters the invisible diaphragm of literariness and is accused of betraying, or simply failing, literature. This book focuses on Fallaci's direct engagement as a writer with major political and social issues such as women's liberation, Vietnam, Islamic fundamentalism and the space programme. A distinctive and controversial feature of her writing is the way in which she blurs the interface between reportage and fiction in an attempt to obliterate the gap that separates the word from the world. |
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Seite 17
The Rhetoric of Freedom John Gatt-Rutter. party secretary , Aldo Moro , several times Italian prime minister . Her father resigned from the Party after forty - five years as an activist . She saw the Christian Democrats as the " bad guys ...
The Rhetoric of Freedom John Gatt-Rutter. party secretary , Aldo Moro , several times Italian prime minister . Her father resigned from the Party after forty - five years as an activist . She saw the Christian Democrats as the " bad guys ...
Seite 59
... party milieu are , in Barthesian terms , “ reality- effects " , which have been semiotically translated into an imagery of gender politics . New York functions as “ another place " , simply and effectively counterbalancing Rome as " new ...
... party milieu are , in Barthesian terms , “ reality- effects " , which have been semiotically translated into an imagery of gender politics . New York functions as “ another place " , simply and effectively counterbalancing Rome as " new ...
Seite 96
... Party across the tumultuous period from the 1930s to the 1960s . Here again , Fallaci's questioning is aggressive , suggesting that Jotti's celebrity is merely a side - effect of Togliatti's , positing their domestic ménage as that of ...
... Party across the tumultuous period from the 1930s to the 1960s . Here again , Fallaci's questioning is aggressive , suggesting that Jotti's celebrity is merely a side - effect of Togliatti's , positing their domestic ménage as that of ...
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