Oriana Fallaci: The Rhetoric of FreedomBerg Publishers, 01.10.1996 - 224 Seiten Oriana Fallaci (b. 1930) is an awkward presence on Italian bookshelves, in world journalism and among feminists. This book, the first literary study of Fallaci, examines the implications of the storms and silences that she keeps rousing. A fully emancipated and successful woman in the man's world of political journalism, she has antagonised many feminists by her championship of motherhood and her idolization of heroic manhood. In journalism, her critics have felt that she has outraged the conventions of interviewing and reporting. As a novelist, she shatters the invisible diaphragm of literariness and is accused of betraying, or simply failing, literature. This book focuses on Fallaci's direct engagement as a writer with major political and social issues such as women's liberation, Vietnam, Islamic fundamentalism and the space programme. A distinctive and controversial feature of her writing is the way in which she blurs the interface between reportage and fiction in an attempt to obliterate the gap that separates the word from the world. |
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Seite 51
... Florence and Bill ( neither of whom Richard can give up ) , seeking mutual sole possession . She fears domination both by Bill and by Florence , and rejects the possibility of a polymorphous relationship with both Bill and Richard ...
... Florence and Bill ( neither of whom Richard can give up ) , seeking mutual sole possession . She fears domination both by Bill and by Florence , and rejects the possibility of a polymorphous relationship with both Bill and Richard ...
Seite 53
... Florence returns in Richard's mother , Florence , in New York . There are other fleeting recollections of Gio's mother , most saliently during Gio's first day with Richard in New York : " that night they were children again " , and , as ...
... Florence returns in Richard's mother , Florence , in New York . There are other fleeting recollections of Gio's mother , most saliently during Gio's first day with Richard in New York : " that night they were children again " , and , as ...
Seite 115
... Florence and the events of 1943-5 keep entering the text to delineate the ethical physiognomy of the people whom Oriana encounters . Florence and the Resistance are thus macro - signifiers derived from quasi- folk history , in the sense ...
... Florence and the events of 1943-5 keep entering the text to delineate the ethical physiognomy of the people whom Oriana encounters . Florence and the Resistance are thus macro - signifiers derived from quasi- folk history , in the sense ...
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aesthetic American appears attempt bambino becomes Bill book's called chaos Chapter character child close critics culture death defined dialogue discourse distinction effect English ethical existence experience face fact Fallaci father female fiction figure final finds Florence foetus followed freedom give given hero Hollywood human individual InsciAllah instance interview involvement issue Italian Italy journalism journalistic judgement language less Lettera lines literary literature living male marked matriarchy means moral mother narrative narrator never novel novelistic opening Oriana original Penelope person political present question quoted reader references rejection relationship remarks reportage represented Resistance rhetoric Richard social sole muore space speaking story structure style success suggesting takes textual translation turns University uomo values Vietnam voice women writing York