Oriana Fallaci: The Rhetoric of FreedomBerg Publishers, 01.10.1996 - 224 Seiten Oriana Fallaci (b. 1930) is an awkward presence on Italian bookshelves, in world journalism and among feminists. This book, the first literary study of Fallaci, examines the implications of the storms and silences that she keeps rousing. A fully emancipated and successful woman in the man's world of political journalism, she has antagonised many feminists by her championship of motherhood and her idolization of heroic manhood. In journalism, her critics have felt that she has outraged the conventions of interviewing and reporting. As a novelist, she shatters the invisible diaphragm of literariness and is accused of betraying, or simply failing, literature. This book focuses on Fallaci's direct engagement as a writer with major political and social issues such as women's liberation, Vietnam, Islamic fundamentalism and the space programme. A distinctive and controversial feature of her writing is the way in which she blurs the interface between reportage and fiction in an attempt to obliterate the gap that separates the word from the world. |
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Seite 34
... chapters which follow . Chapter 5 , on how a star is fabricated , with Kim Novak as its subject , is challengingly contrasted with Chapter 6 , “ on the most appealing girl in Hollywood ... the only one who hasn't let me down " , one who ...
... chapters which follow . Chapter 5 , on how a star is fabricated , with Kim Novak as its subject , is challengingly contrasted with Chapter 6 , “ on the most appealing girl in Hollywood ... the only one who hasn't let me down " , one who ...
Seite 110
... chapter , where “ Oriana ” apostrophizes her father no longer in the second person , no longer as " tu " , but in the third person . She has just received a letter from him saying that he has bought her a familiar oak - tree on a ...
... chapter , where “ Oriana ” apostrophizes her father no longer in the second person , no longer as " tu " , but in the third person . She has just received a letter from him saying that he has bought her a familiar oak - tree on a ...
Seite 119
... ( Chapter 25 of the US version ) , reveals to a dumb- founded Oriana that the Moon programme is a huge industrial and ... Chapters 18 and 27 of the Italian edition respectively as the " elephants " meaning ordinary Americans - who throng ...
... ( Chapter 25 of the US version ) , reveals to a dumb- founded Oriana that the Moon programme is a huge industrial and ... Chapters 18 and 27 of the Italian edition respectively as the " elephants " meaning ordinary Americans - who throng ...
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aesthetic American appears attempt bambino becomes Bill book's called chaos Chapter character child close critics culture death defined dialogue discourse distinction effect English ethical existence experience face fact Fallaci father female fiction figure final finds Florence foetus followed freedom give given hero Hollywood human individual InsciAllah instance interview involvement issue Italian Italy journalism journalistic judgement language less Lettera lines literary literature living male marked matriarchy means moral mother narrative narrator never novel novelistic opening Oriana original Penelope person political present question quoted reader references rejection relationship remarks reportage represented Resistance rhetoric Richard social sole muore space speaking story structure style success suggesting takes textual translation turns University uomo values Vietnam voice women writing York