Film Manifestos and Global Cinema Cultures: A Critical AnthologyScott MacKenzie Univ of California Press, 21.01.2021 - 680 Seiten Film Manifestos and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focusing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world. This volume collects the major European “waves” and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme ‘95); Latin American Third Cinemas (Birri, Sanjinés, Espinosa, Solanas); radical art and the avant-garde (Buñuel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bollaín, Debord, Hermosillo, Isou, Kieslowski, Painlevé, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura, which nevertheless played a central role in film culture. |
Inhalt
THE AVANTGARDES | 13 |
Variant of a Manifesto USSR 1922 | 23 |
Constructivism in the Cinema USSR 1928 | 29 |
France 1930 | 31 |
Manifesto on Que Viva Mexico USA 1933 | 38 |
AnOpen Letter to the FilmIndustryandtoAllWhoAreInterested | 44 |
No More Flat Feet France 1952 | 50 |
A Statement of Principles USA 1961 | 56 |
Manifesto of the National Front of Cinematographers | 294 |
What Is the Cinema for Us? Mauritania 1979 | 300 |
AStatementbythe Black | 307 |
FinalCommunique ofthe FirstFrontline Film Festivaland | 313 |
Jollywood Manifesto Haiti 2008 | 320 |
Womans Place in Photoplay Production USA 1914 | 328 |
Statement USA 1969 | 346 |
Manifesto for a Nonsexist Cinema Canada 1974 | 356 |
From Metaphors on Vision USA 1963 | 62 |
Kuchar 8mm Film Manifesto USA 1964 | 69 |
Commonplace Notes | 78 |
Elements of the Void Greece 1972 | 86 |
Lets Set | 100 |
NATIONAL AND TRANSNATIONAL CINEMAS | 109 |
French Cinema Is Over France 1952 | 123 |
A Certain Tendency in French Cinema France 1954 | 133 |
Salamanca Manifesto Conclusions of the Congress | 144 |
The Oberhausen Manifesto West Germany 1962 | 152 |
How to Not Make a Canadian Film Canada 1967 | 161 |
What Is to Be Done? France 1970 | 169 |
Denmark 1987 | 174 |
Pathways to the Establishment of a Nigerian Film Industry | 183 |
Manifesto of 1988 German Democratic Republic | 192 |
Dogme 95 Manifesto and Vow of Chastity Denmark | 201 |
Manifesto of the New Cinema Group Mexico 1961 | 209 |
The Aesthetics of Hunger Brazil 1965 | 218 |
Film Makers and the Popular Government Political | 250 |
An Internal Category of Third Cinema | 256 |
Another Face of Colonised Québec | 264 |
Millimeters versus 8 Millions Mexico 1972 | 272 |
The Luz e Ação Manifesto Brazil 1973 | 284 |
Notes of Sex in the Cinema | 370 |
Manifesto of the Women Filmmakers West Germany | 376 |
The Post Porn Modernist Manifesto USA 1989 | 382 |
Thoughts on Women and Pornography | 385 |
A Manifesto USA 2009 | 392 |
MILITATING HOLLYWOOD | 403 |
Soviets Spreading Doctrine in U S Theatres USA | 417 |
White Elephant Art vs Termite Art USA 1962 | 432 |
A Summary of Objections by the Kuumba Workshop | 440 |
Declaration of the Group of Thirty France 1953 | 461 |
1971 | 469 |
A Manifesto A Provocation USA | 476 |
STATES DICTATORSHIPS THE COMINTERN AND THEOCRACIES | 485 |
ARCHIVES MUSEUMS FESTIVALS AND CINEMATHEQUES | 515 |
The Film Prayer USA c 1920 | 523 |
The Importance of Film Archives UK 1948 | 529 |
Brooklyn Babylon Cinema Manifesto USA 1998 | 555 |
SOUNDS AND SILENCE | 565 |
THE DIGITAL REVOLUTION | 575 |
AESTHETICS AND THE FUTURES OF THE CINEMA | 593 |
Remodernist Film Manifesto USA 2008 | 619 |
Takahiko Iimura Koichiro Ishizaki et | 636 |
Andere Ausgaben - Alle anzeigen
Film Manifestos and Global Cinema Cultures: A Critical Anthology Scott MacKenzie Eingeschränkte Leseprobe - 2014 |
Film Manifestos and Global Cinema Cultures: A Critical Anthology Scott MacKenzie Eingeschränkte Leseprobe - 2021 |
Film Manifestos and Global Cinema Cultures: A Critical Anthology Scott MacKenzie Eingeschränkte Leseprobe - 2014 |
Häufige Begriffe und Wortgruppen
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