Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... thee / To tutor thee in stratagems of war " ( IV.v.1-2 ) . He urges him to leave after his first taste of battle , his rite of passage completed : " Wilt thou yet leave the battle , boy , and fly , / Now thou art seal'd the son of ...
... thee / To tutor thee in stratagems of war " ( IV.v.1-2 ) . He urges him to leave after his first taste of battle , his rite of passage completed : " Wilt thou yet leave the battle , boy , and fly , / Now thou art seal'd the son of ...
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... thee out , Must I behold thy timeless cruel death ? Ah , Joan , sweet daughter Joan , I'll die with thee ! Joan . Decrepit miser , base ignoble wretch ! I am descended of a gentler blood . Thou art no father nor no friend of mine . ( V ...
... thee out , Must I behold thy timeless cruel death ? Ah , Joan , sweet daughter Joan , I'll die with thee ! Joan . Decrepit miser , base ignoble wretch ! I am descended of a gentler blood . Thou art no father nor no friend of mine . ( V ...
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... thee , Or ten times happier , be it ten for one ; Ten times thyself were happier than thou art , If ten of thine ten times refigur'd thee . That ten is ten times better than one is self - evidently true only if the one is not the one ...
... thee , Or ten times happier , be it ten for one ; Ten times thyself were happier than thou art , If ten of thine ten times refigur'd thee . That ten is ten times better than one is self - evidently true only if the one is not the one ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York