Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 59
... structure as well as the " comic " structure of the final scene . The characters , Cleopatra above all , who assert their triumph in the face of the continuing society , the supposed winners , the new order , are claiming that they are ...
... structure as well as the " comic " structure of the final scene . The characters , Cleopatra above all , who assert their triumph in the face of the continuing society , the supposed winners , the new order , are claiming that they are ...
Seite 61
... structure , that we find in the history of Timon's own world view . Moreover , the Poet's aim in writing is clearly to get money , and his reap- pearance at the beginning of Act V does less than nothing to reveal any limitations in ...
... structure , that we find in the history of Timon's own world view . Moreover , the Poet's aim in writing is clearly to get money , and his reap- pearance at the beginning of Act V does less than nothing to reveal any limitations in ...
Seite 179
... structure is older than Christianity ( in spite of the Christian colouring ) and perhaps older than the conscious memory of man . In King Lear the symbolic structure of the play viewed as myth - ritual is defined by the image of the ...
... structure is older than Christianity ( in spite of the Christian colouring ) and perhaps older than the conscious memory of man . In King Lear the symbolic structure of the play viewed as myth - ritual is defined by the image of the ...
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Häufige Begriffe und Wortgruppen
allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York