Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Michelle Lee. in the play's iterative verbal and stage imagery.2 Refer- ences to death , preparing for the powerful fifth - act stage images of the assassination and the coffin , are earlier made concrete by the sight of the weeping king ...
Michelle Lee. in the play's iterative verbal and stage imagery.2 Refer- ences to death , preparing for the powerful fifth - act stage images of the assassination and the coffin , are earlier made concrete by the sight of the weeping king ...
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... stage audience : " Stage observers and theatre audience alike laugh uncomfort- ably at Richard's maudlin fantasy , and the self- indulgent image - spinning which was Shakespeare's error in Titus is turned into an effective piece of ...
... stage audience : " Stage observers and theatre audience alike laugh uncomfort- ably at Richard's maudlin fantasy , and the self- indulgent image - spinning which was Shakespeare's error in Titus is turned into an effective piece of ...
Seite 71
... Stage : Image and Structure in " King Lear " ( Baton Rouge : Louisiana State Univ . Press , 1948 ) , pp . 14-17 . 20. Freud observed in " The Theme of the Three Caskets " ( p . 255 ) that when one considers Lear as not only old but soon ...
... Stage : Image and Structure in " King Lear " ( Baton Rouge : Louisiana State Univ . Press , 1948 ) , pp . 14-17 . 20. Freud observed in " The Theme of the Three Caskets " ( p . 255 ) that when one considers Lear as not only old but soon ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York