Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 104
... sexuality is binary - that a person is either homosexual or heterosexual - or the idea that sexual behavior constitutes individual identity . Indeed , commentators often assert that early modern notions of sexuality were flexible rather ...
... sexuality is binary - that a person is either homosexual or heterosexual - or the idea that sexual behavior constitutes individual identity . Indeed , commentators often assert that early modern notions of sexuality were flexible rather ...
Seite 155
... sexual - are to be read before the modern regimes of sexual identities can be presumed as reference points . Luckily , powerfully suggestive ways to address such ques- tions have been provided before . Alan Bray's Homosexual- ity in ...
... sexual - are to be read before the modern regimes of sexual identities can be presumed as reference points . Luckily , powerfully suggestive ways to address such ques- tions have been provided before . Alan Bray's Homosexual- ity in ...
Seite 156
... sexual relations . Like Bray , she sees that male - male sexual relations need not be read as outside the normative systems that promote male interests at the expense of women ( the homosocial order can be the patriarchal one and can ...
... sexual relations . Like Bray , she sees that male - male sexual relations need not be read as outside the normative systems that promote male interests at the expense of women ( the homosocial order can be the patriarchal one and can ...
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Häufige Begriffe und Wortgruppen
allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York