Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... scene offers an image of the restoration of the earthly family in heaven , she maintains , but even as the ... scene in King Lear together with scenes in other plays where Shakespeare treats life and death with dramatic ambiguity . ] I ...
... scene offers an image of the restoration of the earthly family in heaven , she maintains , but even as the ... scene in King Lear together with scenes in other plays where Shakespeare treats life and death with dramatic ambiguity . ] I ...
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... scene we are with Anti- gonus and the infant Perdita in Bohemia , where we remain till the beginning of Act V. From ... scene turned out to have been false later . He equivocates in the design of his plot , but in the scenes themselves ...
... scene we are with Anti- gonus and the infant Perdita in Bohemia , where we remain till the beginning of Act V. From ... scene turned out to have been false later . He equivocates in the design of his plot , but in the scenes themselves ...
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... scene ( Act V , scene ii ) 21 : 392 ; 54 : 96 ; 59 : 26 Fortinbras 21 : 136 , 347 ; 28 : 290 gender issues 35 : 144 ; 44 : 189 , 195 , 198 ; 59 : 31 , 39 genre 1 : 176 , 212 , 237 Gertrude 21 : 259 , 347 , 392 ; 28 : 311 ; 32 : 238 ; 35 ...
... scene ( Act V , scene ii ) 21 : 392 ; 54 : 96 ; 59 : 26 Fortinbras 21 : 136 , 347 ; 28 : 290 gender issues 35 : 144 ; 44 : 189 , 195 , 198 ; 59 : 31 , 39 genre 1 : 176 , 212 , 237 Gertrude 21 : 259 , 347 , 392 ; 28 : 311 ; 32 : 238 ; 35 ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York