Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 41
... represents human vanity , while below " the pomp of the effigy , " a cadaver indicates " man's inexorable and common fate . " In funeral iconography , however , the great age of the memento mori had concentrated on the transi alone ...
... represents human vanity , while below " the pomp of the effigy , " a cadaver indicates " man's inexorable and common fate . " In funeral iconography , however , the great age of the memento mori had concentrated on the transi alone ...
Seite 121
... represents the erotic other of the text , the reservoir of the fears elicited by homoerotic exchanges - fears , I want to insist , that are not inherent in the experience of homo- erotic desire , but that are produced by those ...
... represents the erotic other of the text , the reservoir of the fears elicited by homoerotic exchanges - fears , I want to insist , that are not inherent in the experience of homo- erotic desire , but that are produced by those ...
Seite 366
... represents one kind of succession of the many that threaten Macbeth , this beneficiary of succession who becomes its enemy at the moment of his accession . Narratives in general , including the plot of Macbeth , may represent a marriage ...
... represents one kind of succession of the many that threaten Macbeth , this beneficiary of succession who becomes its enemy at the moment of his accession . Narratives in general , including the plot of Macbeth , may represent a marriage ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York