Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 82
... once more : Kent is dying , but his death will lead to reunion with his master , not in the grave , but in life after life . Shakespeare , then , points us in two directions at once , in the last sixteen lines of King Lear . We look at ...
... once more : Kent is dying , but his death will lead to reunion with his master , not in the grave , but in life after life . Shakespeare , then , points us in two directions at once , in the last sixteen lines of King Lear . We look at ...
Seite 232
... once , he is , as one other writer has noticed , " the dominant mythological figure in the play . Hercules ' hold on Shakespeare's imagination was stronger than even the many allusions to him in the plays would suggest ; Holofernes had ...
... once , he is , as one other writer has noticed , " the dominant mythological figure in the play . Hercules ' hold on Shakespeare's imagination was stronger than even the many allusions to him in the plays would suggest ; Holofernes had ...
Seite 242
... once again to the inside - outside issue , the matter of disguise and " seeming . " But even more tellingly we then hear him say , noting certain details of her body , that " This secret / Will make him think I have picked the lock and ...
... once again to the inside - outside issue , the matter of disguise and " seeming . " But even more tellingly we then hear him say , noting certain details of her body , that " This secret / Will make him think I have picked the lock and ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York