Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 124
... nature " can be seen to dissolve the previous dramatic energy expended in portraying socially illegitimate alliances ... nature's bias " seems a bit suspect . Joseph Pequigney offers an alternative interpretation of " nature to her bias ...
... nature " can be seen to dissolve the previous dramatic energy expended in portraying socially illegitimate alliances ... nature's bias " seems a bit suspect . Joseph Pequigney offers an alternative interpretation of " nature to her bias ...
Seite 191
... nature and spirit which strive for dominion over man . Often the centaur was compared to other half - human monsters from classical mythology such as the sirens or the satyrs.2 29 We can observe the creative use of this tradition during ...
... nature and spirit which strive for dominion over man . Often the centaur was compared to other half - human monsters from classical mythology such as the sirens or the satyrs.2 29 We can observe the creative use of this tradition during ...
Seite 211
... nature , destroying friend as well as foe , just as the youth Horatius , still drunk with blood , slays his sister after having slain the Curiatii ” ( I , 229 ) . Most significantly , in Rome a horse was the annual October sacrifice to ...
... nature , destroying friend as well as foe , just as the youth Horatius , still drunk with blood , slays his sister after having slain the Curiatii ” ( I , 229 ) . Most significantly , in Rome a horse was the annual October sacrifice to ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York