Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 126
... male homo- eroticism , provoke the broader question of the relation of male homoeroticism to feminist politics . Contrary to the beliefs of those feminists who conflate male homosociality with homoeroticism , male homoeroticism has no ...
... male homo- eroticism , provoke the broader question of the relation of male homoeroticism to feminist politics . Contrary to the beliefs of those feminists who conflate male homosociality with homoeroticism , male homoeroticism has no ...
Seite 131
... male stage companies and plays about gender switching reflects a social and cultural fascination with the subject who symbolized the bodily cite of this gender ambiguity : the hermaphrodite strictly speaking , a person who possesses both ...
... male stage companies and plays about gender switching reflects a social and cultural fascination with the subject who symbolized the bodily cite of this gender ambiguity : the hermaphrodite strictly speaking , a person who possesses both ...
Seite 156
... male - male and male - female sexual relations . Like Bray , she sees that male - male sexual relations need not be read as outside the normative systems that promote male interests at the expense of women ( the homosocial order can be ...
... male - male and male - female sexual relations . Like Bray , she sees that male - male sexual relations need not be read as outside the normative systems that promote male interests at the expense of women ( the homosocial order can be ...
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Häufige Begriffe und Wortgruppen
allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York