Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 117
... homoeroticism works in specific plays , how homoerotic desire is differentiated between plays , and whether homoeroticism is distinguished along gender lines . Even in those analyses specifically devoted to uncovering the material ...
... homoeroticism works in specific plays , how homoerotic desire is differentiated between plays , and whether homoeroticism is distinguished along gender lines . Even in those analyses specifically devoted to uncovering the material ...
Seite 118
... homoerotic basis upon which to build structures of desire , which were then , through theatrical representation , made available not only to male but to female audience members . This dual - gender availability suggests a problem with ...
... homoerotic basis upon which to build structures of desire , which were then , through theatrical representation , made available not only to male but to female audience members . This dual - gender availability suggests a problem with ...
Seite 125
... homoerotic love can only be justified through a heterosexual reproductivity that is always already degraded by its contact with female genitalia the underlying fantasy being the wish for reproduction magically untainted by the female ...
... homoerotic love can only be justified through a heterosexual reproductivity that is always already degraded by its contact with female genitalia the underlying fantasy being the wish for reproduction magically untainted by the female ...
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Häufige Begriffe und Wortgruppen
allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York