Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 63
... hath made his everlasting mansion Upon the beached verge of the salt flood , Who once a day with his embossed froth The turbulent surge shall cover . Thither come , And let my gravestone be your oracle . ( V.i.212-17 ) When the oracular ...
... hath made his everlasting mansion Upon the beached verge of the salt flood , Who once a day with his embossed froth The turbulent surge shall cover . Thither come , And let my gravestone be your oracle . ( V.i.212-17 ) When the oracular ...
Seite 73
... Hath clawed me in his clutch , And hath shipped me intil the land , As if I had never been such . ( 67-70 ) The gravedigger's adoption of a song persona who is already dead is only one of the paradoxical features defin- ing his relation ...
... Hath clawed me in his clutch , And hath shipped me intil the land , As if I had never been such . ( 67-70 ) The gravedigger's adoption of a song persona who is already dead is only one of the paradoxical features defin- ing his relation ...
Seite 345
... Hath it slept since , And wakes it now to look so green and pale At what it did so freely ? From this time Such I account thy love . Art thou afeared To be the same in thine own act and valour As thou art in desire ? ( I.vii . 35-41 ) ...
... Hath it slept since , And wakes it now to look so green and pale At what it did so freely ? From this time Such I account thy love . Art thou afeared To be the same in thine own act and valour As thou art in desire ? ( I.vii . 35-41 ) ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York