Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 173
... differences disintegrate , and we are left with characters deprived of true identity or difference , because they keep stupidly repeating the same violent deeds . Tragic opposition is not supremely meaningful as we want to believe , but ...
... differences disintegrate , and we are left with characters deprived of true identity or difference , because they keep stupidly repeating the same violent deeds . Tragic opposition is not supremely meaningful as we want to believe , but ...
Seite 176
... difference , indeed , but less and less stable . This illusory difference looms so large that only metaphors of master versus slave , and god versus beast appear adequate to it . As the mimetic model turns into an obstacle and a rival ...
... difference , indeed , but less and less stable . This illusory difference looms so large that only metaphors of master versus slave , and god versus beast appear adequate to it . As the mimetic model turns into an obstacle and a rival ...
Seite 252
... difference . Culture is conceived not as a mere collection of unrelated objects , but as a totality , or , if we prefer , a structure , a system of people and institutions always related to one another in such a way that a single ...
... difference . Culture is conceived not as a mere collection of unrelated objects , but as a totality , or , if we prefer , a structure , a system of people and institutions always related to one another in such a way that a single ...
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Häufige Begriffe und Wortgruppen
allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York