Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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... York , and I am son to York . Edw . Thou pitied'st Rutland , I will pity thee . Geo . Where's Captain Margaret , to fence you now ? War . They mock thee , Clifford ; swear as thou wast wont . Rich . What , not an oath ? Nay , then the ...
... York , and I am son to York . Edw . Thou pitied'st Rutland , I will pity thee . Geo . Where's Captain Margaret , to fence you now ? War . They mock thee , Clifford ; swear as thou wast wont . Rich . What , not an oath ? Nay , then the ...
Seite 38
... York . Alone , defeated , he recalls how his sons tried to save him : My sons - God knows what hath bechanced them ; But this I know , they have demean'd themselves Like men born to renown by life or death . Three times did Richard make ...
... York . Alone , defeated , he recalls how his sons tried to save him : My sons - God knows what hath bechanced them ; But this I know , they have demean'd themselves Like men born to renown by life or death . Three times did Richard make ...
Seite 307
... York was rightful heir to the crown ( II.iii.94 ; I.iii.25-27 ) . Shakespeare's modifications of his historical sources for this incident are suggestive . Neither Holinshed nor Hall verifies the servant's story or connects the charge of ...
... York was rightful heir to the crown ( II.iii.94 ; I.iii.25-27 ) . Shakespeare's modifications of his historical sources for this incident are suggestive . Neither Holinshed nor Hall verifies the servant's story or connects the charge of ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York