Shakespearean CriticismPresents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 23
Watching Richard the king weep , helplessly they witness loss of control where control is most expected . So , amid disconcerted laughter , the Bishop exhorts Richard , " Fear not , my lord " ( III.ii.27 ) . What Richard fears and ...
Watching Richard the king weep , helplessly they witness loss of control where control is most expected . So , amid disconcerted laughter , the Bishop exhorts Richard , " Fear not , my lord " ( III.ii.27 ) . What Richard fears and ...
Seite 24
Awkward and uneasy in their pity and embarrassment , they teach Richard that neither his prettiest wit nor most self - destructive impulses can soften the harsh reality of his fate . Hysterically , he descends to the base court to give ...
Awkward and uneasy in their pity and embarrassment , they teach Richard that neither his prettiest wit nor most self - destructive impulses can soften the harsh reality of his fate . Hysterically , he descends to the base court to give ...
Seite 26
indeed mount up on high , it is not because of a special dispensation for Divine Right kings but because we the audience , playing God to Richard's Everyman , assent . For all his foolishness , vanity , and criminality , Richard dies ...
indeed mount up on high , it is not because of a special dispensation for Divine Right kings but because we the audience , playing God to Richard's Everyman , assent . For all his foolishness , vanity , and criminality , Richard dies ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York