Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 123
... Orsino is narcissistic and " effeminate , " but I would argue that neither his narcissism nor his " effeminacy " is indica- tive of desire for males per se . Orsino's " effeminacy , ” a gender characteristic , accompanies both his ...
... Orsino is narcissistic and " effeminate , " but I would argue that neither his narcissism nor his " effeminacy " is indica- tive of desire for males per se . Orsino's " effeminacy , ” a gender characteristic , accompanies both his ...
Seite 268
... ( Orsino has instructed her to ' Be clamor- ous and leap all civil bounds ' , I , iv , 20 ) , the flattering courtier ( ' Most radiant , exquisite , and unmatchable . beauty ' , I , v , 160 ) , the candid moralist ( ' What is yours to ...
... ( Orsino has instructed her to ' Be clamor- ous and leap all civil bounds ' , I , iv , 20 ) , the flattering courtier ( ' Most radiant , exquisite , and unmatchable . beauty ' , I , v , 160 ) , the candid moralist ( ' What is yours to ...
Seite 271
... Orsino dignifies his love melancholy with the epic precedent of Ovid's Actaeon , the hunter who was changed to a deer and eaten by his own hounds as punishment for his accidental glimpse of the naked Diana : O , when mine eyes did see ...
... Orsino dignifies his love melancholy with the epic precedent of Ovid's Actaeon , the hunter who was changed to a deer and eaten by his own hounds as punishment for his accidental glimpse of the naked Diana : O , when mine eyes did see ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York