Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 211
... Mars . Unfortunately , Mars can never change his nature and live within the city , since he is essentially the god of its outermost boundaries beyond the cultivated fields . Mars " within " can only mean dissension and civil war . Hence ...
... Mars . Unfortunately , Mars can never change his nature and live within the city , since he is essentially the god of its outermost boundaries beyond the cultivated fields . Mars " within " can only mean dissension and civil war . Hence ...
Seite 212
... Mars to Cupid allows Aufidius and the conspirators to kill him . Thus the god Mars - now disarmed by the triple Goddess and ambivalent between love and war - becomes a bloody sacrifice to peace and to all the peaceful values of Civitas ...
... Mars to Cupid allows Aufidius and the conspirators to kill him . Thus the god Mars - now disarmed by the triple Goddess and ambivalent between love and war - becomes a bloody sacrifice to peace and to all the peaceful values of Civitas ...
Seite 227
... Mars sitting on his altar as patron of all bloody carnage . Philo's Mars simile turns to metaphor as Antony is remembered as the model war- rior of the battlefield , the archetypal Roman . On the surface , Mars presents the dramatist ...
... Mars sitting on his altar as patron of all bloody carnage . Philo's Mars simile turns to metaphor as Antony is remembered as the model war- rior of the battlefield , the archetypal Roman . On the surface , Mars presents the dramatist ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York