Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 295
... King John . Scholars explain that the topic figures so prominently in Shakespeare's work due to the fact that Queen ... King James - a highly charged political concern at the time these tragedies were written provides another source for ...
... King John . Scholars explain that the topic figures so prominently in Shakespeare's work due to the fact that Queen ... King James - a highly charged political concern at the time these tragedies were written provides another source for ...
Seite 312
... King John is set farthest back in the past , and yet of all of them it depicts a world that is least medieval and most insistently present . Caught up in the whirl of events , the audience shares the characters ' uncertainties as they ...
... King John is set farthest back in the past , and yet of all of them it depicts a world that is least medieval and most insistently present . Caught up in the whirl of events , the audience shares the characters ' uncertainties as they ...
Seite 337
... King John of England , about the election of Steven Lang- ton to the Bishopricke of Canterburie , wherein the King had ancient right , being used by his progeni- tors , all Christian Kinges of England before him , the Bishops of Rome ...
... King John of England , about the election of Steven Lang- ton to the Bishopricke of Canterburie , wherein the King had ancient right , being used by his progeni- tors , all Christian Kinges of England before him , the Bishops of Rome ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York