Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 215
... Hercules , described in Seneca's Hercules Furens , who on his return from the conquest of the Hades is met by demonic spirits and transformed into a bloody madman who commits acts of incalculable violence . The parallels between Hercules ...
... Hercules , described in Seneca's Hercules Furens , who on his return from the conquest of the Hades is met by demonic spirits and transformed into a bloody madman who commits acts of incalculable violence . The parallels between Hercules ...
Seite 216
... Hercules , one of the many legends associ- ated with the achievements of Hercules , provides a useful context from which to examine the decision - making process through which Hercules triumphs and the mortal hero fails . The contest is ...
... Hercules , one of the many legends associ- ated with the achievements of Hercules , provides a useful context from which to examine the decision - making process through which Hercules triumphs and the mortal hero fails . The contest is ...
Seite 236
... Hercules as the supreme exemplar of moral fortitude , as epitomized in the Choice of Her- cules , and of virtuous works , as typified by his twelve or more Labors . As the vir perfectissimus , the embodiment of ideal Renaissance virtú ...
... Hercules as the supreme exemplar of moral fortitude , as epitomized in the Choice of Her- cules , and of virtuous works , as typified by his twelve or more Labors . As the vir perfectissimus , the embodiment of ideal Renaissance virtú ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York