Shakespearean CriticismCengage Gale, 2001 - 448 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 185
... Cleopatra is withdrawing into that private mysterious world where only the still small voice of true love will be ... Cleopatra's death is in one sense a ritual apotheosis : in another sense , it is a deserved punishment for a sinful ...
... Cleopatra is withdrawing into that private mysterious world where only the still small voice of true love will be ... Cleopatra's death is in one sense a ritual apotheosis : in another sense , it is a deserved punishment for a sinful ...
Seite 225
... Cleopatra ( I.iii . 113 ; II.v.2 ; II.v.21-3 ; III.vii . 16- 19 ; III.vii.69-70 ; IV.xii.47-8 ) . On this evidence , the Ro- man Philo may be right in calling Antony a " strumpet's fool " ( I.i.13 ) , and Octavius embarrassingly ...
... Cleopatra ( I.iii . 113 ; II.v.2 ; II.v.21-3 ; III.vii . 16- 19 ; III.vii.69-70 ; IV.xii.47-8 ) . On this evidence , the Ro- man Philo may be right in calling Antony a " strumpet's fool " ( I.i.13 ) , and Octavius embarrassingly ...
Seite 228
... Cleopatra's consciousness , her choice of metaphor is appropriate . Maurice Charney " relates the Gorgon reference to the play's serpent motif , reminding us that the mythic anomaly had snaky locks . But the point is surely that Cleopatra ...
... Cleopatra's consciousness , her choice of metaphor is appropriate . Maurice Charney " relates the Gorgon reference to the play's serpent motif , reminding us that the mythic anomaly had snaky locks . But the point is surely that Cleopatra ...
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York