Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 2Laurie Lanzen Harris Gale Research Company, 1984 - 591 Seiten This volume includes plot summaries, character profiles, criticism of the works and sources for further study. |
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Seite 198
... vision ; for her love , which cannot speak , has some regards - she cannot help it - which stand ' aloof from the entire point ' . She is to blame , although she can do no other , for keeping herself blameless . There is no need to ...
... vision ; for her love , which cannot speak , has some regards - she cannot help it - which stand ' aloof from the entire point ' . She is to blame , although she can do no other , for keeping herself blameless . There is no need to ...
Seite 272
... vision of his final ruin . Both the cosmos of King Lear and its focal character - both macrocosm and microcosm participate in the process of gen- eral breakdown : " O ruined piece of nature " ; Gloucester ex- claims when suddenly ...
... vision of his final ruin . Both the cosmos of King Lear and its focal character - both macrocosm and microcosm participate in the process of gen- eral breakdown : " O ruined piece of nature " ; Gloucester ex- claims when suddenly ...
Seite 486
... vision of the play . And this is as much as to say that the vision itself is uncertain , for vision seeks to discover itself in character . In Angelo , vision does not so discover itself , and it is instruc- tive to note in what manner ...
... vision of the play . And this is as much as to say that the vision itself is uncertain , for vision seeks to discover itself in character . In Angelo , vision does not so discover itself , and it is instruc- tive to note in what manner ...
Inhalt
Preface | 7 |
King Lear | 87 |
Loves Labours Lost | 296 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. C. Bradley action Albany Algernon Charles Swinburne Armado audience August Wilhelm Schlegel becomes Berowne blind Bradley Buckingham characters Christian comedy comic Cordelia Costard Cranmer critics Cymbeline daughters death drama Edgar Edmund effect Elizabethan essay date evil fact fall father feeling final Fletcher following excerpt folly Fool Gloucester Gloucester's Goneril Goneril and Regan Hamlet heart Henry VIII Henry's Hermann Ulrici Holofernes human imagery imagination interpretation justice Katherine Kent King Lear King's L. C. Knights ladies language Lear's Love's Labour's Lost madness meaning mind moral nature Navarre never Othello passion play's plot poet poetic political present Princess Queen R. W. Chambers reality reason Robert Ornstein romances scene seems sense Shake Shakespeare Shakespeare's plays Shakspere speak speare speare's speech stage suffering suggest symbol theme things tragedy tragic true truth Ulrici vision whole Wilson Knight Wolsey Wolsey's words