Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 2Laurie Lanzen Harris Gale Research Company, 1984 - 591 Seiten This volume includes plot summaries, character profiles, criticism of the works and sources for further study. |
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Seite 91
... universe . " Richard B. Sewall main- tained that though the play is infused with Renaissance Chris- tian doctrine , the deaths of Lear and Cordelia do not reflect the victory of good or evil , but the movement of the universe to restore ...
... universe . " Richard B. Sewall main- tained that though the play is infused with Renaissance Chris- tian doctrine , the deaths of Lear and Cordelia do not reflect the victory of good or evil , but the movement of the universe to restore ...
Seite 233
... universe where dogs , horses , and rats live , and Cordelias are butchered . There may be mitigations in man himself , but none in the world which surrounds him . Indeed , unless Lear's death is a thoroughly anomalous postscript to his ...
... universe where dogs , horses , and rats live , and Cordelias are butchered . There may be mitigations in man himself , but none in the world which surrounds him . Indeed , unless Lear's death is a thoroughly anomalous postscript to his ...
Seite 271
... universe of the play is anything but a meaningless chaos in which a dog , a horse , a rat have life and a Cordelia no breath at all . No evidence , that is , other than Lear's word to the contrary - a word which , as surely as Edmund's ...
... universe of the play is anything but a meaningless chaos in which a dog , a horse , a rat have life and a Cordelia no breath at all . No evidence , that is , other than Lear's word to the contrary - a word which , as surely as Edmund's ...
Inhalt
Preface | 7 |
King Lear | 87 |
Loves Labours Lost | 296 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. C. Bradley action Albany Algernon Charles Swinburne Armado audience August Wilhelm Schlegel becomes Berowne blind Bradley Buckingham characters Christian comedy comic Cordelia Costard Cranmer critics Cymbeline daughters death drama Edgar Edmund effect Elizabethan essay date evil fact fall father feeling final Fletcher following excerpt folly Fool Gloucester Gloucester's Goneril Goneril and Regan Hamlet heart Henry VIII Henry's Hermann Ulrici Holofernes human imagery imagination interpretation justice Katherine Kent King Lear King's L. C. Knights ladies language Lear's Love's Labour's Lost madness meaning mind moral nature Navarre never Othello passion play's plot poet poetic political present Princess Queen R. W. Chambers reality reason Robert Ornstein romances scene seems sense Shake Shakespeare Shakespeare's plays Shakspere speak speare speare's speech stage suffering suggest symbol theme things tragedy tragic true truth Ulrici vision whole Wilson Knight Wolsey Wolsey's words