Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 2Laurie Lanzen Harris Gale Research Company, 1984 - 591 Seiten This volume includes plot summaries, character profiles, criticism of the works and sources for further study. |
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Seite 230
... tragic " in Shake- speare . The last scene of all returns to this mood , and forms a second climax , but the tragic mood is altered by the addition of understanding to Lear's character . The presence of purely tragic pain - the desire ...
... tragic " in Shake- speare . The last scene of all returns to this mood , and forms a second climax , but the tragic mood is altered by the addition of understanding to Lear's character . The presence of purely tragic pain - the desire ...
Seite 246
... tragic element has been superseded by grotesque . Grotesque is more cruel than tragedy . ( p . 130 ) Despite ... tragic world gives birth to comedy " is only seemingly paradoxical . Gro- tesque exists in a tragic world . Both the tragic ...
... tragic element has been superseded by grotesque . Grotesque is more cruel than tragedy . ( p . 130 ) Despite ... tragic world gives birth to comedy " is only seemingly paradoxical . Gro- tesque exists in a tragic world . Both the tragic ...
Seite 279
... tragic signals instead , we will find little more than an ominous and ultimately ambiguous tone . Experience with other plays conventionally termed tragic would lead us to expect a fairly extensive ex- position making probable ( in the ...
... tragic signals instead , we will find little more than an ominous and ultimately ambiguous tone . Experience with other plays conventionally termed tragic would lead us to expect a fairly extensive ex- position making probable ( in the ...
Inhalt
Preface | 7 |
King Lear | 87 |
Loves Labours Lost | 296 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. C. Bradley action Albany Algernon Charles Swinburne Armado audience August Wilhelm Schlegel becomes Berowne blind Bradley Buckingham characters Christian comedy comic Cordelia Costard Cranmer critics Cymbeline daughters death drama Edgar Edmund effect Elizabethan essay date evil fact fall father feeling final Fletcher following excerpt folly Fool Gloucester Gloucester's Goneril Goneril and Regan Hamlet heart Henry VIII Henry's Hermann Ulrici Holofernes human imagery imagination interpretation justice Katherine Kent King Lear King's L. C. Knights ladies language Lear's Love's Labour's Lost madness meaning mind moral nature Navarre never Othello passion play's plot poet poetic political present Princess Queen R. W. Chambers reality reason Robert Ornstein romances scene seems sense Shake Shakespeare Shakespeare's plays Shakspere speak speare speare's speech stage suffering suggest symbol theme things tragedy tragic true truth Ulrici vision whole Wilson Knight Wolsey Wolsey's words