Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 2Laurie Lanzen Harris Gale Research Company, 1984 - 591 Seiten This volume includes plot summaries, character profiles, criticism of the works and sources for further study. |
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Seite 353
... feeling from the language which does duty for feeling , or , more accurately , which papers over adolescent confusions of feeling . The ladies ' rhetoric , cooler , more brac- ing , more alert than the lords ' , enlivened by the freedom ...
... feeling from the language which does duty for feeling , or , more accurately , which papers over adolescent confusions of feeling . The ladies ' rhetoric , cooler , more brac- ing , more alert than the lords ' , enlivened by the freedom ...
Seite 420
... Feeling is in both cases brought into play , but feeling of a radically different character . Departure from Puritanic morality in Isabella meant return to Christian grace , in Angelo it means return to Nature in its lowest form . As in ...
... Feeling is in both cases brought into play , but feeling of a radically different character . Departure from Puritanic morality in Isabella meant return to Christian grace , in Angelo it means return to Nature in its lowest form . As in ...
Seite 489
... feeling " - " all depth or delicacy of feeling " ; whatever kind of sense is meant here , she lacks it . For a moment , in the elaborate and teasing balance of the play , Shakespeare turns even against mercy , or at least against the ...
... feeling " - " all depth or delicacy of feeling " ; whatever kind of sense is meant here , she lacks it . For a moment , in the elaborate and teasing balance of the play , Shakespeare turns even against mercy , or at least against the ...
Inhalt
Preface | 7 |
King Lear | 87 |
Loves Labours Lost | 296 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. C. Bradley action Albany Algernon Charles Swinburne Armado audience August Wilhelm Schlegel becomes Berowne blind Bradley Buckingham characters Christian comedy comic Cordelia Costard Cranmer critics Cymbeline daughters death drama Edgar Edmund effect Elizabethan essay date evil fact fall father feeling final Fletcher following excerpt folly Fool Gloucester Gloucester's Goneril Goneril and Regan Hamlet heart Henry VIII Henry's Hermann Ulrici Holofernes human imagery imagination interpretation justice Katherine Kent King Lear King's L. C. Knights ladies language Lear's Love's Labour's Lost madness meaning mind moral nature Navarre never Othello passion play's plot poet poetic political present Princess Queen R. W. Chambers reality reason Robert Ornstein romances scene seems sense Shake Shakespeare Shakespeare's plays Shakspere speak speare speare's speech stage suffering suggest symbol theme things tragedy tragic true truth Ulrici vision whole Wilson Knight Wolsey Wolsey's words