Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 2Laurie Lanzen Harris Gale Research Company, 1984 - 591 Seiten This volume includes plot summaries, character profiles, criticism of the works and sources for further study. |
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Seite 233
... death , hence no miti- gation in the ending of the play . On the contrary , either the play has no aesthetic unity , or everything in it , including Lear's spiritual regeneration , is instrumental to the explosive poig- nance of Lear's ...
... death , hence no miti- gation in the ending of the play . On the contrary , either the play has no aesthetic unity , or everything in it , including Lear's spiritual regeneration , is instrumental to the explosive poig- nance of Lear's ...
Seite 266
... death , specifically Lear's bitter attacks on procreation and the tragic deaths of both him and Cordelia , West admits that it is easy to regard the drama as nihilistic . But he considers this assessment as valid only if one views ...
... death , specifically Lear's bitter attacks on procreation and the tragic deaths of both him and Cordelia , West admits that it is easy to regard the drama as nihilistic . But he considers this assessment as valid only if one views ...
Seite 392
... death , rather than contra- dicting the doctrine of the soul's immortality , as suggested by Johnson , is merely ... death , which is no more . [ III . i . 17-19 ] [ Kenrick quotes Dr. Johnson's comment on this passage : ' I cannot ...
... death , rather than contra- dicting the doctrine of the soul's immortality , as suggested by Johnson , is merely ... death , which is no more . [ III . i . 17-19 ] [ Kenrick quotes Dr. Johnson's comment on this passage : ' I cannot ...
Inhalt
Preface | 7 |
King Lear | 87 |
Loves Labours Lost | 296 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
A. C. Bradley action Albany Algernon Charles Swinburne Armado audience August Wilhelm Schlegel becomes Berowne blind Bradley Buckingham characters Christian comedy comic Cordelia Costard Cranmer critics Cymbeline daughters death drama Edgar Edmund effect Elizabethan essay date evil fact fall father feeling final Fletcher following excerpt folly Fool Gloucester Gloucester's Goneril Goneril and Regan Hamlet heart Henry VIII Henry's Hermann Ulrici Holofernes human imagery imagination interpretation justice Katherine Kent King Lear King's L. C. Knights ladies language Lear's Love's Labour's Lost madness meaning mind moral nature Navarre never Othello passion play's plot poet poetic political present Princess Queen R. W. Chambers reality reason Robert Ornstein romances scene seems sense Shake Shakespeare Shakespeare's plays Shakspere speak speare speare's speech stage suffering suggest symbol theme things tragedy tragic true truth Ulrici vision whole Wilson Knight Wolsey Wolsey's words