Creative Filmmaking from the Inside Out: Five Keys to the Art of Making Inspired Movies and TelevisionTouchstone, 04.03.2003 - 224 Seiten Five keys to creating authentic, distinctive work, whether you are a student, professional or simply love making films on your own For Creative Filmmaking from the Inside Out, three professors at the renowned University of Southern California School of Cinema-Television interviewed fifteen outstanding filmmakers, then distilled their insights into the "Five I's" of creativity. Learn how to: • Uncover your unique creative voice (Introspection) • Work from real-life observations and experience (Inquiry) • Draw on your nonconscious wells of creativity (Intuition) • Strengthen your creative collaborations (Interaction) • Communicate at the deepest level with your audience (Impact) This comprehensive approach provides practical exercises that will enrich and transform your work, whether you are looking for a story idea, lighting a set, editing a scene or selecting a music cue. The participating filmmakers, who have collectively won or been nominated for 39 Oscars and 27 Emmys, are: Anthony Minghella, writer-director (The English Patient); Kimberly Peirce, writer-director (Boys Don't Cry); John Lasseter, writer-director-producer (Toy Story); John Wells, writer-producer (ER); Hanif Kureishi, writer (My Beautiful Laundrette); Pamela Douglas, writer (Between Mother and Daughter); Renee Tajima-Peña, director-producer (My America...or, Honk If You Love Buddha); Ismail Merchant, producer (The Remains of the Day); Jeannine Oppewall, production designer (L.A. Confidential); Conrad L. Hall, cinematographer (American Beauty); Kathy Baker, actor (Picket Fences); Walter Murch, sound designer-editor (Apocalypse Now); Lisa Fruchtman, editor (The Right Stuff); Kate Amend, editor (Into the Arms of Strangers); and James Newton Howard, composer (The Sixth Sense). |
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Seite 60
... talk with people face - to - face , especially when they at first seem baffling or frightening to her , “ then I begin to really understand people . " She remembers that for My America , she and the crew “ went into this trailer park ...
... talk with people face - to - face , especially when they at first seem baffling or frightening to her , “ then I begin to really understand people . " She remembers that for My America , she and the crew “ went into this trailer park ...
Seite 65
... talk to us extensively about what they did , and that's where a lot of story ideas come from . " There's a similar process for ER , but with emergency - room doctors and nurses . In addition , every ER writer , no matter how long they ...
... talk to us extensively about what they did , and that's where a lot of story ideas come from . " There's a similar process for ER , but with emergency - room doctors and nurses . In addition , every ER writer , no matter how long they ...
Seite 120
... talk about this elusive deeper level . Jeannine spoke above of “ subtext , ” and John Wells of a “ deep premise . " Kieślowski used the words " spirit " and " essence " while Conrad talks about finding the " soul " of the story . Our ...
... talk about this elusive deeper level . Jeannine spoke above of “ subtext , ” and John Wells of a “ deep premise . " Kieślowski used the words " spirit " and " essence " while Conrad talks about finding the " soul " of the story . Our ...
Inhalt
The Filmmakers | 1 |
one introspection | 17 |
two inquiry | 47 |
Urheberrecht | |
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Creative Filmmaking from the Inside Out: Five Keys to the Art of Making ... Jed Dannenbaum,Carroll Hodge,Doe Mayer Eingeschränkte Leseprobe - 2010 |
Häufige Begriffe und Wortgruppen
Academy Award Nomination actor Anthony Minghella artists audience Best Boys Don't Cry Brandon CALIFORNIA/SANTA CRUZ UNIVERSITY camera characters Cinematographer collaborative Composer Conrad Hall create creative filmmaking creative process CRUZ The University described director documentary dream editing Editor and Sound Emmy Award emotional English Patient Executive Producer experience feel film filmmakers going Hanif Kureishi ideas images impact interaction intuition Ismail Merchant James Newton Howard Jeannine Oppewall John Lasseter Kate Amend Kathy Baker Kimberly Peirce kind Library The University Lisa look mind nonconscious Pamela Douglas play Production Designer Renee Tajima-Peña resonance response scene screen screenplay screenwriter script sense shooting Sound Rerecording Mixer specific story studio talk television tell theme there's things tion TV movie TV series undercurrent University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/SANTA violence visual Walter Murch what's workout write writer-director York