Creative Filmmaking from the Inside Out: Five Keys to the Art of Making Inspired Movies and TelevisionTouchstone, 04.03.2003 - 224 Seiten Five keys to creating authentic, distinctive work, whether you are a student, professional or simply love making films on your own For Creative Filmmaking from the Inside Out, three professors at the renowned University of Southern California School of Cinema-Television interviewed fifteen outstanding filmmakers, then distilled their insights into the "Five I's" of creativity. Learn how to: • Uncover your unique creative voice (Introspection) • Work from real-life observations and experience (Inquiry) • Draw on your nonconscious wells of creativity (Intuition) • Strengthen your creative collaborations (Interaction) • Communicate at the deepest level with your audience (Impact) This comprehensive approach provides practical exercises that will enrich and transform your work, whether you are looking for a story idea, lighting a set, editing a scene or selecting a music cue. The participating filmmakers, who have collectively won or been nominated for 39 Oscars and 27 Emmys, are: Anthony Minghella, writer-director (The English Patient); Kimberly Peirce, writer-director (Boys Don't Cry); John Lasseter, writer-director-producer (Toy Story); John Wells, writer-producer (ER); Hanif Kureishi, writer (My Beautiful Laundrette); Pamela Douglas, writer (Between Mother and Daughter); Renee Tajima-Peña, director-producer (My America...or, Honk If You Love Buddha); Ismail Merchant, producer (The Remains of the Day); Jeannine Oppewall, production designer (L.A. Confidential); Conrad L. Hall, cinematographer (American Beauty); Kathy Baker, actor (Picket Fences); Walter Murch, sound designer-editor (Apocalypse Now); Lisa Fruchtman, editor (The Right Stuff); Kate Amend, editor (Into the Arms of Strangers); and James Newton Howard, composer (The Sixth Sense). |
Im Buch
Ergebnisse 1-3 von 52
Seite 100
... sense of self - hatred , Tom's sense of in- adequacy . He has to unleash that on Brandon . You're not unleashing it . You're not yet doing it [ raping Brandon ] be- cause you need to do it . ' " On the next take , " he found that place ...
... sense of self - hatred , Tom's sense of in- adequacy . He has to unleash that on Brandon . You're not unleashing it . You're not yet doing it [ raping Brandon ] be- cause you need to do it . ' " On the next take , " he found that place ...
Seite 155
... sense of the story or subject . Then bring in your opening visual images . Do the sounds suggest new ideas or connections to the visuals ? Do they provide a counterpoint ? Do they deepen the mood and meaning of the moment or evoke the ...
... sense of the story or subject . Then bring in your opening visual images . Do the sounds suggest new ideas or connections to the visuals ? Do they provide a counterpoint ? Do they deepen the mood and meaning of the moment or evoke the ...
Seite 158
... sense of democracy on the set , a great sense of egolessness .... We all saw each other gripping our thighs and with our bums in the air . " Plan both one - time and ongoing activities for the entire production or your specific creative ...
... sense of democracy on the set , a great sense of egolessness .... We all saw each other gripping our thighs and with our bums in the air . " Plan both one - time and ongoing activities for the entire production or your specific creative ...
Inhalt
The Filmmakers | 1 |
one introspection | 17 |
two inquiry | 47 |
Urheberrecht | |
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Creative Filmmaking from the Inside Out: Five Keys to the Art of Making ... Jed Dannenbaum,Carroll Hodge,Doe Mayer Eingeschränkte Leseprobe - 2010 |
Häufige Begriffe und Wortgruppen
Academy Award Nomination actor Anthony Minghella artists audience Best Boys Don't Cry Brandon CALIFORNIA/SANTA CRUZ UNIVERSITY camera characters Cinematographer collaborative Composer Conrad Hall create creative filmmaking creative process CRUZ The University described director documentary dream editing Editor and Sound Emmy Award emotional English Patient Executive Producer experience feel film filmmakers going Hanif Kureishi ideas images impact interaction intuition Ismail Merchant James Newton Howard Jeannine Oppewall John Lasseter Kate Amend Kathy Baker Kimberly Peirce kind Library The University Lisa look mind nonconscious Pamela Douglas play Production Designer Renee Tajima-Peña resonance response scene screen screenplay screenwriter script sense shooting Sound Rerecording Mixer specific story studio talk television tell theme there's things tion TV movie TV series undercurrent University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/SANTA violence visual Walter Murch what's workout write writer-director York