Creative Filmmaking from the Inside Out: Five Keys to the Art of Making Inspired Movies and TelevisionTouchstone, 04.03.2003 - 224 Seiten Five keys to creating authentic, distinctive work, whether you are a student, professional or simply love making films on your own For Creative Filmmaking from the Inside Out, three professors at the renowned University of Southern California School of Cinema-Television interviewed fifteen outstanding filmmakers, then distilled their insights into the "Five I's" of creativity. Learn how to: • Uncover your unique creative voice (Introspection) • Work from real-life observations and experience (Inquiry) • Draw on your nonconscious wells of creativity (Intuition) • Strengthen your creative collaborations (Interaction) • Communicate at the deepest level with your audience (Impact) This comprehensive approach provides practical exercises that will enrich and transform your work, whether you are looking for a story idea, lighting a set, editing a scene or selecting a music cue. The participating filmmakers, who have collectively won or been nominated for 39 Oscars and 27 Emmys, are: Anthony Minghella, writer-director (The English Patient); Kimberly Peirce, writer-director (Boys Don't Cry); John Lasseter, writer-director-producer (Toy Story); John Wells, writer-producer (ER); Hanif Kureishi, writer (My Beautiful Laundrette); Pamela Douglas, writer (Between Mother and Daughter); Renee Tajima-Peña, director-producer (My America...or, Honk If You Love Buddha); Ismail Merchant, producer (The Remains of the Day); Jeannine Oppewall, production designer (L.A. Confidential); Conrad L. Hall, cinematographer (American Beauty); Kathy Baker, actor (Picket Fences); Walter Murch, sound designer-editor (Apocalypse Now); Lisa Fruchtman, editor (The Right Stuff); Kate Amend, editor (Into the Arms of Strangers); and James Newton Howard, composer (The Sixth Sense). |
Im Buch
Ergebnisse 1-3 von 35
Seite 23
... Once at the beach , she told us to collect a bunch of shells and whatever . Then she said , ' Dig out a hole in the wet sand , and put shapes at the bottom . ' She mixed plaster of Paris and poured it into the sand mold , and once it ...
... Once at the beach , she told us to collect a bunch of shells and whatever . Then she said , ' Dig out a hole in the wet sand , and put shapes at the bottom . ' She mixed plaster of Paris and poured it into the sand mold , and once it ...
Seite 28
... once or twice , a moment where everything is a metaphor for internal condition . I was driving past these flat Texas fields with their winter wheat and cotton plumage , and the road rose up to go over a railroad bed . It was very misty ...
... once or twice , a moment where everything is a metaphor for internal condition . I was driving past these flat Texas fields with their winter wheat and cotton plumage , and the road rose up to go over a railroad bed . It was very misty ...
Seite 32
... once you're more established , for that matter - it might just be that saying " no " to a disagreeable project or leaving a soul - damaging job could turn out to be the best thing you could do for yourself . Editor Kate Amend ...
... once you're more established , for that matter - it might just be that saying " no " to a disagreeable project or leaving a soul - damaging job could turn out to be the best thing you could do for yourself . Editor Kate Amend ...
Inhalt
The Filmmakers | 1 |
one introspection | 17 |
two inquiry | 47 |
Urheberrecht | |
8 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Creative Filmmaking from the Inside Out: Five Keys to the Art of Making ... Jed Dannenbaum,Carroll Hodge,Doe Mayer Eingeschränkte Leseprobe - 2010 |
Häufige Begriffe und Wortgruppen
Academy Award Nomination actor Anthony Minghella artists audience Best Boys Don't Cry Brandon CALIFORNIA/SANTA CRUZ UNIVERSITY camera characters Cinematographer collaborative Composer Conrad Hall create creative filmmaking creative process CRUZ The University described director documentary dream editing Editor and Sound Emmy Award emotional English Patient Executive Producer experience feel film filmmakers going Hanif Kureishi ideas images impact interaction intuition Ismail Merchant James Newton Howard Jeannine Oppewall John Lasseter Kate Amend Kathy Baker Kimberly Peirce kind Library The University Lisa look mind nonconscious Pamela Douglas play Production Designer Renee Tajima-Peña resonance response scene screen screenplay screenwriter script sense shooting Sound Rerecording Mixer specific story studio talk television tell theme there's things tion TV movie TV series undercurrent University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/SANTA violence visual Walter Murch what's workout write writer-director York