Creative Filmmaking from the Inside Out: Five Keys to the Art of Making Inspired Movies and Television
Five keys to creating authentic, distinctive work, whether you are a student, professional or simply love making films on your own
For Creative Filmmaking from the Inside Out, three professors at the renowned University of Southern California School of Cinema-Television interviewed fifteen outstanding filmmakers, then distilled their insights into the "Five I's" of creativity. Learn how to:
• Uncover your unique creative voice (Introspection)
• Work from real-life observations and experience (Inquiry)
• Draw on your nonconscious wells of creativity (Intuition)
• Strengthen your creative collaborations (Interaction)
• Communicate at the deepest level with your audience (Impact)
This comprehensive approach provides practical exercises that will enrich and transform your work, whether you are looking for a story idea, lighting a set, editing a scene or selecting a music cue.
The participating filmmakers, who have collectively won or been nominated for 39 Oscars and 27 Emmys, are:
Anthony Minghella, writer-director (The English Patient); Kimberly Peirce, writer-director (Boys Don't Cry); John Lasseter, writer-director-producer (Toy Story); John Wells, writer-producer (ER); Hanif Kureishi, writer (My Beautiful Laundrette); Pamela Douglas, writer (Between Mother and Daughter); Renee Tajima-Peña, director-producer (My America...or, Honk If You Love Buddha); Ismail Merchant, producer (The Remains of the Day); Jeannine Oppewall, production designer (L.A. Confidential); Conrad L. Hall, cinematographer (American Beauty); Kathy Baker, actor (Picket Fences); Walter Murch, sound designer-editor (Apocalypse Now); Lisa Fruchtman, editor (The Right Stuff); Kate Amend, editor (Into the Arms of Strangers); and James Newton Howard, composer (The Sixth Sense).
Ergebnisse 1-3 von 35
Once at the beach , she told us to collect a bunch of shells and whatever . Then she said , ' Dig out a hole in the wet sand , and put shapes at the bottom . ' She mixed plaster of Paris and poured it into the sand mold , and once it ...
In addition to paying monthly bills , you may have student loans as well . Yet as hard as it may be to turn down credits and money when you're just beginning — or once you're more established , for that matter — it might just be that ...
As wrenching as a scene like that might be to film , the actor only needed to achieve this state of self - revelation once , and as Kimberly notes , that's the take in the film . Anthony observes that , unlike the theatre , “ on film ...
Was andere dazu sagen - Rezension schreiben
Creative filmmaking: from the inside out: five keys to the art of making inspired movies and televisionNutzerbericht - Not Available - Book Verdict
Disputing a popular notion that creativity is an inherent gift that one either possesses or lacks, this ambitious manual attempts to provide practical instruction for developing and enhancing personal ... Vollständige Rezension lesen
8 weitere Abschnitte werden nicht angezeigt.