Creative Filmmaking from the Inside Out: Five Keys to the Art of Making Inspired Movies and TelevisionFive keys to creating authentic, distinctive work, whether you are a student, professional or simply love making films on your own For Creative Filmmaking from the Inside Out, three professors at the renowned University of Southern California School of Cinema-Television interviewed fifteen outstanding filmmakers, then distilled their insights into the "Five I's" of creativity. Learn how to: • Uncover your unique creative voice (Introspection) • Work from real-life observations and experience (Inquiry) • Draw on your nonconscious wells of creativity (Intuition) • Strengthen your creative collaborations (Interaction) • Communicate at the deepest level with your audience (Impact) This comprehensive approach provides practical exercises that will enrich and transform your work, whether you are looking for a story idea, lighting a set, editing a scene or selecting a music cue. The participating filmmakers, who have collectively won or been nominated for 39 Oscars and 27 Emmys, are: Anthony Minghella, writer-director (The English Patient); Kimberly Peirce, writer-director (Boys Don't Cry); John Lasseter, writer-director-producer (Toy Story); John Wells, writer-producer (ER); Hanif Kureishi, writer (My Beautiful Laundrette); Pamela Douglas, writer (Between Mother and Daughter); Renee Tajima-Peña, director-producer (My America...or, Honk If You Love Buddha); Ismail Merchant, producer (The Remains of the Day); Jeannine Oppewall, production designer (L.A. Confidential); Conrad L. Hall, cinematographer (American Beauty); Kathy Baker, actor (Picket Fences); Walter Murch, sound designer-editor (Apocalypse Now); Lisa Fruchtman, editor (The Right Stuff); Kate Amend, editor (Into the Arms of Strangers); and James Newton Howard, composer (The Sixth Sense). |
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And then I use what I NAMES OF CULTURAL FLOURES , ET . remember about the light , Stars TO GET WIODE AS They come down wint curening STONE Balustee , pass . the composition , all that Pore poco terrey wl columns , sioe ONES ENGAGED ...
And then I use what I NAMES OF CULTURAL FLOURES , ET . remember about the light , Stars TO GET WIODE AS They come down wint curening STONE Balustee , pass . the composition , all that Pore poco terrey wl columns , sioe ONES ENGAGED ...
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I can write a threepage scene which is very beautiful , and then suddenly discover that a certain light accomplishes all that those three pages did . ” Anthony Minghella also talks about the process of “ growing the movie ...
I can write a threepage scene which is very beautiful , and then suddenly discover that a certain light accomplishes all that those three pages did . ” Anthony Minghella also talks about the process of “ growing the movie ...
Seite 161
LIGHT AND SHADOW Lighting is another major storytelling tool for the filmmaker . Italian cinematographer Vittorio Storaro , for the film The Conformist , worked from his concept that " the Fascist period in Italy was very closed ...
LIGHT AND SHADOW Lighting is another major storytelling tool for the filmmaker . Italian cinematographer Vittorio Storaro , for the film The Conformist , worked from his concept that " the Fascist period in Italy was very closed ...
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Creative filmmaking: from the inside out: five keys to the art of making inspired movies and television
Nutzerbericht - Not Available - Book VerdictDisputing a popular notion that creativity is an inherent gift that one either possesses or lacks, this ambitious manual attempts to provide practical instruction for developing and enhancing personal ... Vollständige Rezension lesen
Inhalt
The Filmmakers | 1 |
one introspection | 17 |
two inquiry | 47 |
Urheberrecht | |
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Creative Filmmaking from the Inside Out: Five Keys to the Art of Making ... Jed Dannenbaum,Carroll Hodge,Doe Mayer Eingeschränkte Leseprobe - 2010 |
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