Creative Filmmaking from the Inside Out: Five Keys to the Art of Making Inspired Movies and TelevisionTouchstone, 04.03.2003 - 224 Seiten Five keys to creating authentic, distinctive work, whether you are a student, professional or simply love making films on your own For Creative Filmmaking from the Inside Out, three professors at the renowned University of Southern California School of Cinema-Television interviewed fifteen outstanding filmmakers, then distilled their insights into the "Five I's" of creativity. Learn how to: • Uncover your unique creative voice (Introspection) • Work from real-life observations and experience (Inquiry) • Draw on your nonconscious wells of creativity (Intuition) • Strengthen your creative collaborations (Interaction) • Communicate at the deepest level with your audience (Impact) This comprehensive approach provides practical exercises that will enrich and transform your work, whether you are looking for a story idea, lighting a set, editing a scene or selecting a music cue. The participating filmmakers, who have collectively won or been nominated for 39 Oscars and 27 Emmys, are: Anthony Minghella, writer-director (The English Patient); Kimberly Peirce, writer-director (Boys Don't Cry); John Lasseter, writer-director-producer (Toy Story); John Wells, writer-producer (ER); Hanif Kureishi, writer (My Beautiful Laundrette); Pamela Douglas, writer (Between Mother and Daughter); Renee Tajima-Peña, director-producer (My America...or, Honk If You Love Buddha); Ismail Merchant, producer (The Remains of the Day); Jeannine Oppewall, production designer (L.A. Confidential); Conrad L. Hall, cinematographer (American Beauty); Kathy Baker, actor (Picket Fences); Walter Murch, sound designer-editor (Apocalypse Now); Lisa Fruchtman, editor (The Right Stuff); Kate Amend, editor (Into the Arms of Strangers); and James Newton Howard, composer (The Sixth Sense). |
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Seite 88
... sometimes managed to achieve again , and sometimes not . " Pamela Douglas , who writes every day when working on a script , will first close her eyes if she gets stopped in a scene and visualize the world of the movie , the specific ...
... sometimes managed to achieve again , and sometimes not . " Pamela Douglas , who writes every day when working on a script , will first close her eyes if she gets stopped in a scene and visualize the world of the movie , the specific ...
Seite 106
... sometimes I agree and sometimes I may be completely op- posed . It happens on every movie that you win some battles and lose oth- ers . " She will continue to fight for her ideas , and if she loses the argument , " I often still feel in ...
... sometimes I agree and sometimes I may be completely op- posed . It happens on every movie that you win some battles and lose oth- ers . " She will continue to fight for her ideas , and if she loses the argument , " I often still feel in ...
Seite 139
... Sometimes this recognition of impact and responsibility comes as the re- sult of seeing one's film in a new context and perspective . Gale Anne Hurd , the producer of The Terminator and executive producer of Terminator 2 : Judgment Day ...
... Sometimes this recognition of impact and responsibility comes as the re- sult of seeing one's film in a new context and perspective . Gale Anne Hurd , the producer of The Terminator and executive producer of Terminator 2 : Judgment Day ...
Inhalt
The Filmmakers | 1 |
one introspection | 17 |
two inquiry | 47 |
Urheberrecht | |
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Creative Filmmaking from the Inside Out: Five Keys to the Art of Making ... Jed Dannenbaum,Carroll Hodge,Doe Mayer Eingeschränkte Leseprobe - 2010 |
Häufige Begriffe und Wortgruppen
Academy Award Nomination actor Anthony Minghella artists audience Best Boys Don't Cry Brandon CALIFORNIA/SANTA CRUZ UNIVERSITY camera characters Cinematographer collaborative Composer Conrad Hall create creative filmmaking creative process CRUZ The University described director documentary dream editing Editor and Sound Emmy Award emotional English Patient Executive Producer experience feel film filmmakers going Hanif Kureishi ideas images impact interaction intuition Ismail Merchant James Newton Howard Jeannine Oppewall John Lasseter Kate Amend Kathy Baker Kimberly Peirce kind Library The University Lisa look mind nonconscious Pamela Douglas play Production Designer Renee Tajima-Peña resonance response scene screen screenplay screenwriter script sense shooting Sound Rerecording Mixer specific story studio talk television tell theme there's things tion TV movie TV series undercurrent University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/SANTA violence visual Walter Murch what's workout write writer-director York