The Course of English Surrealist Poetry Since the 1930sEdwin Mellen Press, 1989 - 325 Seiten This study proposes that there has been a revival of surrealist poetry, and traces an uninterrupted thread of development in surrealism throughout 20th-century English poetry. |
Inhalt
General Introduction | 1 |
The Thirties | 15 |
England in the Thirties | 25 |
Instant Poetry? Surrealist Practice in England in | 70 |
Boiled String and Sympathy The Relationship between | 100 |
The Forties | 118 |
England | 125 |
No More Musical Eggs The Poetry of the | 150 |
Machine Men and Burning Cathedrals D H Lawrence | 179 |
Since the Forties | 198 |
and Adrian Henri | 226 |
ConclusionThe Seventies and Eighties | 253 |
and Prognosis | 280 |
Häufige Begriffe und Wortgruppen
Adrian Henri aesthetic anarchism André Breton anthology Apocalypse appeared artistic Auden become begins Brunius catalogue certainly Conroy Maddox Contemporary Poetry context crisis in consciousness critics D.H. Lawrence Dada dark David Gascoyne death decade dialectical dream Dylan Thomas early Eliot Eluard English Surrealism English Surrealist group entitled essay external Faber and Faber Faber Surrealism fact forties French Gascoyne Gascoyne's George Melly Hendry Herbert Read Hugh Sykes Davies Hughes human imagery images imagination individual interesting International Surrealist Lawrence literary literature logic London Bulletin machine magazine manifestations Maverick Mesens myth organised perhaps poet poet's poetic political psychic automatism publication published rational Read's reality Renzio revolution revolutionary Roland Penrose Romantic Romanticism says seems significant Social Realist stanza statement suggests Surrealism in England Surréalisme Surrealist Exhibition Surrealist poetry Surrealist spirit T.S. Eliot Ted Hughes theme theory thirties Thomas's Transforma(c)tion Transformation translation Treece unconscious Verse vision White Horseman words writing