The Production of Culture, Band 1SAGE, 14.05.1992 - 198 Seiten How does the media shape and frame culture? How does media entertainment vary under different conditions of production and consumption? What types of meanings and ideologies do these modes of production convey and how do they change over time? How does media culture differ from other forms of recorded culture produced in nonindustrial settings? In The Production of Culture, the inaugural volume in the new Foundations of Popular Culture, Diana Crane argues that these are the kinds of questions with which social scientists should be concerned. She contends that recorded cultures simply cannot be understood apart from the contexts in which they are produced and consumed. A review and synthesis of the current media literature, Crane's work examines both the popular and elite levels of media production. This investigation allows readers to understand how the notion of production can change depending on the size of the audience and or the structure of the cultural industry. |
Im Buch
Ergebnisse 1-5 von 32
Seite viii
Der Inhalt dieser Seite ist beschränkt..
Der Inhalt dieser Seite ist beschränkt..
Seite 8
Der Inhalt dieser Seite ist beschränkt..
Der Inhalt dieser Seite ist beschränkt..
Seite 9
Der Inhalt dieser Seite ist beschränkt..
Der Inhalt dieser Seite ist beschränkt..
Seite 11
Der Inhalt dieser Seite ist beschränkt..
Der Inhalt dieser Seite ist beschränkt..
Seite 14
Der Inhalt dieser Seite ist beschränkt..
Der Inhalt dieser Seite ist beschränkt..
Inhalt
Chapter 1 Introduction | 1 |
Chapter 2 The Media Culture Paradigm | 13 |
Audiences in MediaSaturated Societies | 33 |
Chapter 4 The Production of Culture in National Culture Industries | 49 |
Chapter 5 Approaches to the Analysis of Meaning in Media Culture | 77 |
Culture Organizations and Urban Arts Culture | 109 |
Chapter 7 Media Culture Urban Arts Culture and Government Policy | 143 |
Toward Global Culture | 161 |
174 | |
187 | |
191 | |
About the Author | 198 |
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated economic effects elite experimental music film industry gatekeeping genre global culture high culture horror film impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks nonprofit novels oligopoly perform period peripheral Peterson political popular culture popular music population production of culture programs Reception theory record companies recorded culture rock rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symbols symphony orchestras tastes television tend theaters tion types of culture urban arts urban cultures values viewers World countries York