Spread His tremendous name around, Till heav'n's broad arch ring back the found, The general burst of joy. XII. Ye, whom the charms of grandeur please, Fall proftrate at his throne! Ye Princes, Rulers, all adore! Praise Him, Ye Kings! who makes your power XIII. Ye Fair, by nature form'd to move, IN See Genius bright'ning thro' the veil of Thought! Each finish'd draught at once improves and warms pules0 to sausi suT Each feature breathes, and of flup every picture charms; built plum slodW The happy pencil long inured to please angi byder edi ading H Joins ftrength with tafle, and elegance with cafe. droclo mag for absorptosed w Alladin, por vill 'di Eugoro muit is gols d MARK in yon Temple's beamy domes reclin'd T What forms all beauteous ftrike th' enraptur'd mind, The train whom Nature lent fuperior fire, alad baA Who ftole her air, her accent, and her lyre; Who bid her form in breathing marble glow, 2 Who pour'd her tranfports, and who felt her woe, I Here rife, as Judgment points the road to Fame, To jufter manners, and a nobler aim: 1 Laigemi Thought nicely-true the copious plan reviews, No No roughned dash betrays th' unequal part, HERE Boileau marks the living draught refin'd, HERE BO The flame of Genius burfting o'er his mind *; Yet juft to worth, attends the melting ftrains Whofe mufic ftream'd along Britannia's plains; He marks the ruby'd lip that breathes perfume, The cheek where beauty fpreads her genial bloom, SEE mighty Dacier foars in nobler lays ‡, It is generally allowed, that imagination was not the predominant faculty which characterized the writings of Boileau. He is therefore represented here as having attained that point in which he was principally deficient. And hails the Bard, &c.) The I 2ur Rape of the Lock is judged by the beft Critics to have been wrote in an higher, tafte than the Latrin. See mighty Dacier, &c.] This Lady's name is not mentioned by Voltaire in his Temple of Taite, though I confefs, I cannot fce with what reafon fhe is omitted. It is true, A tow'ring Genius! whofe exalted name Stede With eagle-speed purfued th' expected prey, W WHAT need I Voiture's easier tafk recite,m baA Whofe work contracted beams with faultlefs wit; Or paint Racine whose chast'ned strain improves, Or Molliere, fporting with the Smiles and Loves W Fontaine, whose wit from Nature's fund was stole, Or bold Corneille, who ftorms, and tears the foul! A benulli luot A 192 Lost in the radiance of diffolving light, Ten thousand beauties opening on my fight, instal My fainting mufe deferts th' unequal theme, of W Pleased with fome gentler note, an humbler name; true, indeed, that fhe is rather tranflator than an original writer. Few readers however of fenfibility will perufe her translation and remarks on the Iliad, or on Ariftotle's Art of Poetry, without dif fou thout tidShe vd bedsW covering in both the force of an exact judgment, joined to that feeling of poetic beauty which is fo often found to predominate in this amiable fex, She feels (the glowing traits confufedly feen) The heat too piercing, and the ray too keen. THUS in fome fields where Art and Nature join, (Such are thy gardens Stowe, and Seaton*, thine. Where from ere from yon mount, a plan by Taste defign'd, Reflects an image of the Mafter's mind ;) Where'er I look the blush of Beauty glows,, The forest brightens, or the garden blows; Groves, streams, and trees their chequer'd pride difplay, And melting music steals the foul away. 1 'Tis your's each work of genius to review, bojna Who know false beauties, and admire the true; You bleft by nature with fuperior skill, An eye to mark them, and an heart to feel, Who read with judgment, and who write with ease. And feebly flutters with unequal wings, |