Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 25Gale Research Company, 1984 |
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Seite 113
... comic largely because of its use of detail , and precision . It is the kind of language that uses some of the devices of re- alism - especially local specificity - for its effect . It oper- ates without subtextual or comic meaning and ...
... comic largely because of its use of detail , and precision . It is the kind of language that uses some of the devices of re- alism - especially local specificity - for its effect . It oper- ates without subtextual or comic meaning and ...
Seite 136
... comic spheres of the play not only are dif- ferent languages spoken , but also these , in turn , betray dif- ferent conditions . They do because they are differently po- sitioned as regards the king , and their position largely de ...
... comic spheres of the play not only are dif- ferent languages spoken , but also these , in turn , betray dif- ferent conditions . They do because they are differently po- sitioned as regards the king , and their position largely de ...
Seite 341
... comic counterforce to Leontes . Pau- lina believes unswervingly in Hermione's innocence , she initiates a counteraction on the Queen's behalf , and above all she is not afraid to call things by their proper names : " These dangerous ...
... comic counterforce to Leontes . Pau- lina believes unswervingly in Hermione's innocence , she initiates a counteraction on the Queen's behalf , and above all she is not afraid to call things by their proper names : " These dangerous ...
Inhalt
Loves Labours Lost and | 1 |
Measuring Female Sexuality in Measure | 12 |
Lars Engle Money and Moral Luck in The Merchant of Venice | 35 |
Urheberrecht | |
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