Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 25Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 22
Seite 56
... bastard son of the Trojan King Priam , that Thersites first informs us , but then most insistently , about his illegitima- cy : I am a bastard too ; I love bastards . I am a bas- tard begot , bastard instructed , bastard in mind , bastard ...
... bastard son of the Trojan King Priam , that Thersites first informs us , but then most insistently , about his illegitima- cy : I am a bastard too ; I love bastards . I am a bas- tard begot , bastard instructed , bastard in mind , bastard ...
Seite 59
... bastard arises from this political dimension : the bastard is the pariah or malevolent outsider dedicated , like Edmund , to the de- struction of the values represented by the " legitimate " au- thority of which he is the perverted ...
... bastard arises from this political dimension : the bastard is the pariah or malevolent outsider dedicated , like Edmund , to the de- struction of the values represented by the " legitimate " au- thority of which he is the perverted ...
Seite 99
... Bastard is wittily aware of rhetorical amplification , and the much - trumpeted match hardly outlasts act 3 , scene 1 . The Bastard is an almost wholly unhistorical figure , drawn from Shakespeare's general acquaintance with bas- tards ...
... Bastard is wittily aware of rhetorical amplification , and the much - trumpeted match hardly outlasts act 3 , scene 1 . The Bastard is an almost wholly unhistorical figure , drawn from Shakespeare's general acquaintance with bas- tards ...
Inhalt
Loves Labours Lost and | 1 |
Measuring Female Sexuality in Measure | 12 |
Lars Engle Money and Moral Luck in The Merchant of Venice | 35 |
Urheberrecht | |
22 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actor Antonio argues audience Bassanio bastard body Brutus Caesar Caliban Cambridge character cited claim comedy comic Cordelia Coriolanus critics cultural Cymbeline dance dark lady death desire discourse drama E. K. Chambers Elizabethan England English essay Falstaff father female Hamlet Henry Henry VI Hermione hero Hotspur Ibid John Juliet Julius Caesar King Lear language Leontes Littlewood London Lord Love's Love's Labour's Lost lovers Lucrece Macbeth male Malvolio marriage masculine means ment moral Mortimer mother murder nature Othello Pericles play's poem political Portia Prince Prospero puritan reading Renaissance revenge rhetoric Richard Richard III role Roman Romeo says scene seems sense sexual Shake Shakespeare Shakespeare's plays Shylock social Sonnets speak speare speare's speech stage story suggests theater theatrical thee thing thou Timon tion tradition tragedy tragic Union Univ University Press Venus and Adonis wife Winter's Tale woman women words York