Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 25Gale Research Company, 1984 |
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... Richard III , by contrast , designates at once its self - consciously dramatic form as tragedy , its origins as a script for theatrical performance , and its strongly centered focus on the male protagonist : " The Tragedy of Richard the ...
... Richard III , by contrast , designates at once its self - consciously dramatic form as tragedy , its origins as a script for theatrical performance , and its strongly centered focus on the male protagonist : " The Tragedy of Richard the ...
Seite 164
... Richard III ( 2.2.53-54 ) a " Shakespeare , being an actor himself , " suggests Sir Lau- rence Olivier's biographer , " was a playwright who wrote parts as much as ... Richard's delight is 164 Richard III : Shakespeare's " False Glass "
... Richard III ( 2.2.53-54 ) a " Shakespeare , being an actor himself , " suggests Sir Lau- rence Olivier's biographer , " was a playwright who wrote parts as much as ... Richard's delight is 164 Richard III : Shakespeare's " False Glass "
Seite 173
... Richard III to Hamlet , ” in Elizabethan and Jacobean Drama , ed . J. C. Maxwell ( Liver- pool : Liverpool University Press , 1974 ) , 22-43 ; and Thomas F. Van Laan , Role - Playing in Shakespeare ( Toronto : Univer- sity of Toronto ...
... Richard III to Hamlet , ” in Elizabethan and Jacobean Drama , ed . J. C. Maxwell ( Liver- pool : Liverpool University Press , 1974 ) , 22-43 ; and Thomas F. Van Laan , Role - Playing in Shakespeare ( Toronto : Univer- sity of Toronto ...
Inhalt
Loves Labours Lost and | 1 |
Measuring Female Sexuality in Measure | 12 |
Lars Engle Money and Moral Luck in The Merchant of Venice | 35 |
Urheberrecht | |
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