The Rise of the Image, the Fall of the WordOxford University Press, 08.10.1998 - 272 Seiten For decades educators and cultural critics have deplored the corrosive effects of electronic media on the national consciousness. The average American reads less often, writes less well. And, numbed by the frenetic image-bombardment of music videos, commercials and sound bites, we may also, it is argued, think less profoundly. But wait. Is it just possible that some good might arise from the ashes of the printed word? Most emphatically yes, argues Mitchell Stephens, who asserts that the moving image is likely to make our thoughts not more feeble but more robust. Through a fascinating overview of previous communications revolutions, Stephens demonstrates that the charges that have been leveled against television have been faced by most new media, including writing and print. Centuries elapsed before most of these new forms of communication would be used to produce works of art and intellect of sufficient stature to overcome this inevitable mistrust and nostalgia. Using examples taken from the history of photography and film, as well as MTV, experimental films, and Pepsi commercials, the author considers the kinds of work that might unleash, in time, the full power of moving images. And he argues that these works--an emerging computer-edited and -distributed "new video"--have the potential to inspire transformations in thought on a level with those inspired by the products of writing and print. Stephens sees in video's complexities, simultaneities, and juxtapositions, new ways of understanding and perhaps even surmounting the tumult and confusions of contemporary life. Sure to spark lively--even heated--debate, The Rise of the Image, the Fall of the Word belongs in the library of millennium-watchers everywhere. |
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... techniques that will exploit the full potential of moving images, of video. But that potential is large. Moving images use our senses more effectively than do black lines of type stacked on white pages. In a video there is so much more ...
... techniques that will exploit the full potential of moving images, of video. But that potential is large. Moving images use our senses more effectively than do black lines of type stacked on white pages. In a video there is so much more ...
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... techniques; ministers defending their use of showbusiness techniques. Intercut are pictures of religious icons, bending and blurring. Three candles are shown blowing out. Additional images are sometimes superimposed. Words from the ...
... techniques; ministers defending their use of showbusiness techniques. Intercut are pictures of religious icons, bending and blurring. Three candles are shown blowing out. Additional images are sometimes superimposed. Words from the ...
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... techniques or art forms we now hold dear were once dismissed as useless or even evil. Opera? In eighteenthcentury England many intellectuals reviled it as a senseless, mindnumbing spectacle of sight and sound—“chromatic tortures.”24 The ...
... techniques or art forms we now hold dear were once dismissed as useless or even evil. Opera? In eighteenthcentury England many intellectuals reviled it as a senseless, mindnumbing spectacle of sight and sound—“chromatic tortures.”24 The ...
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... technique or art form exacts a price in old ways and old patterns of thought. In time, we are usually repaid. Printing's payoff—like writing's—has been large indeed, but Cervantes, Leibnitz, Addison, Pope and Tolstoy—like King Thamus ...
... technique or art form exacts a price in old ways and old patterns of thought. In time, we are usually repaid. Printing's payoff—like writing's—has been large indeed, but Cervantes, Leibnitz, Addison, Pope and Tolstoy—like King Thamus ...
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... techniques that make it possible to objectify and rearrange scenes, as writing and print objectified and rearranged words. With the help of these techniques, video might enable this feeble biped to remake “the whole face and state of ...
... techniques that make it possible to objectify and rearrange scenes, as writing and print objectified and rearranged words. With the help of these techniques, video might enable this feeble biped to remake “the whole face and state of ...
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Häufige Begriffe und Wortgruppen
Alan Kay American appear art form artists audiences Bazin began begin Berrent Bob Schieffer Boorstin Braverman Brecht broadcast Bruce Conner cable camera century certainly channels Chapter cinema Cited closeup commercial Conner culture D.W. Griffith David Dickens early editing Elizabeth Eisenstein example fast cutting film filmmakers Flaubert form of communication Griffith Hank Corwin imitation invention Jean Renoir kind language less look Madame Bovary Magazine magic Mark Pellington McGuire Sisters McKibben means medium metaphor montage motion moving images music videos narrative Natural Born Killers networks novel onscreen perhaps perspective photographs Plato play Pope potential printed words produced programs Prospero’s Raymond Williams Renoir scenes Scher screen seconds seems sequence Sergei Eisenstein shot sometimes sound soundbites Stephens stories techniques technologies Telephone interview television television’s theater There’s Thoth thought Trainspotting Translated videotape viewers watch writing wrote York young