"Two flames!-two heaps of burnt-out cinders," Warrington said. "Are both the beauties in this book?"

"Both, or something like them," Pen said. “Leonora, who marries the Duke, is the Fotheringay. I drew the Duke from Magnus Charters, with whom I was at Oxford; it's a little like him; and Miss Amory is Neæra. By gad, Warrington, I did love that first woman! I thought of her as I walked home from Lady Whiston's in the moonlight; and the whole early scenes came back to me as if they had been yesterday. And when I got home, I pulled out the story which I wrote about her and the other three years ago: do you know, outrageous as it is, it has some good stuff in it, and if Bungay won't publish it, I think Bacon will." "That's the way of poets," said Warrington. They fall in love, jilt, or are jilted; they suffer and they cry out that they suffer more than any other mortals: and when they have experienced feelings enough they note them down in a book, and take the book to market. All poets are humbugs, all literary men are humbugs; directly a man begins to sell his feelings for money he 's a humbug. If a poet gets a pain in his side from too good a dinner, he bellows Ai, Ai, louder than Prometheus." "I suppose a poet has agreater sensibility than another man," said Pen, with some spirit. "That is what makes him a poet. I suppose that he sees and feels more keenly: it is that which makes him speak, of what he feels and sees. You speak eagerly enough in your leading articles when you espy a false argument in an opponent, or detect a quack in the House. Paley, who does not care for any thing else in the world, will talk for an hour about a question of law. Give another the privilege which you take yourself, and the free use of his faculty, and let him be what nature has made him. Why should not a man sell his sentimental thoughts as well as you your political ideas, or Paley his legal knowledge? Each alike is a matter of experience and practice. It is not money which causes you to perceive a fallacy, or Paley to argue a point; but a natural or acquired aptitude for that kind of truth and a poet sets down his thoughts and experiences upon paper as a painter does a landscape or a face upon canvas, to the best of his ability, and according to his particular gift. If ever I think I have the stuff in me to write an epic, by Jove I will try. If I only feel that I am good enough to crack a joke or tell a story, I will do that."

"Not a bad speech, young one," Warrington said, "but that does not prevent all poets from being humbugs."

"What-Homer, Eschylus, Shakspeare and all?"

"Their names are not to be breathed in the same sentence with you pigmies," Mr. Warrington said; "there are men and men, sir."

Well, Shakspeare was a man who wrote for money, just as you and I do," Pen answered, at which Warrington confounded his impudence, and resumed his pipe and his manuscript.

There was not the slightest doubt then that this document contained a great deal of Pen's personal experiences, and that "Leaves from the life-book of Walter Lorraine " would never have been written but for

Arthur Pendennis's own private griefs, passions, and follies. As we have become acquainted with these in the first volume of his biography, it will not be necessary to make large extracts from the novel of "Walter Lorraine," in which the young gentleman had depicted such of them as he thought were likely to interest the reader, or were suitable for the purposes of his story.

Now, though he had kept it in his box for nearly half of the period during which, according to the Horatian maxim, a work of art ought to lie ripening (a maxim, the truth of which may, by the way, be questioned altogether), Mr. Pen had not buried his novel for this time, in order that the work might improve, but because he did not know where else to bestow it, or had no particular desire to see it. A man who thinks of putting away a composition for ten years before he shall give it to the world, or exercise his own maturer judgment upon it, had best be very sure of the original strength and durability of the work; otherwise on withdrawing it from its crypt he may find, that like small wine it has lost what flavour it once had, and is only tasteless when opened. There are works of all tastes and smacks, the small and the strong, those that improve by age, and those that won't bear keeping at all, but are pleasant at the first draught, when they refresh and sparkle.

Now Pen had never any notion, even in the time of his youthful inexperience and fervour of imagination, that the story he was writing was a masterpiece of composition, or that he was the equal of the great authors whom he admired; and when he now reviewed his little performance, he was keenly enough alive to its faults, and pretty modest regarding its merits. It was not very good, he thought; but it was as good as most books of the kind that had the run of circulating libraries and the career of the season. He had critically examined more than one fashionable novel by the authors of the day then popular, and he thought that his intellect was as good as theirs and that he could write the English language as well as those ladies or gentlemen ; and as he now ran over his early performance, he was pleased to find here and there passages exhibiting both fancy and vigour, and traits, if not of genius, of genuine passion and feeling. This, too, was Warrington's verdict, when that severe critic, after half-an-hour's perusal of the manuscript, and the consumption of a couple of pipes of tobacco, laid Pen's book down, yawning portentously. "I can't read any more of that balderdash now," he said; "but it seems to me there is some good stuff in it, Pen, my boy. There's a certain greenness and freshness in it which I like somehow. The bloom disappears off the face of poetry after you begin to shave. You can't get up that naturalness and artless rosy tint in after days. Your cheeks are pale, and have got faded by exposure to evening parties, and you are obliged to take curling-irons, and macassar, and the deuce-knows-what to your whiskers; they curl ambrosially, and you are very grand and genteel, and so forth; but, ah! Pen, the spring time was the best."

"What the deuce have my whiskers to do with the subject in hand?”

Pen said (who, perhaps, may have been nettled by Warrington's allusion to those ornaments, which, to say the truth, the young man coaxed, and curled, and oiled, and purfumed, and petted, in rather an absurd manner). "Do you think we can do anything with Walter Lorraine ?'. Shall we take him to the publishers, or make an auto-da-fe of him?" "I don't see what is the good of incremation," Warrington said, "though I have a great mind to put him into the fire, to punish your atrocious humbug and hypocrisy. Shall I burn him indeed? You have much too great a value for him to hurt a hair of his head."

"Have I? Here goes," said Pen, and "Walter Lorraine " went off. the table, and was flung on to the coals. But the fire having done its

mon seil

od

duty of boiling the young man's breakfast-kettle, had given up work for the day, and had gone out, as Pen knew very well; and Warrington, with a scornful smile, once more took up the manuscript with the tongs from out of the harmless cinders.

"O, Pen, what a humbug you are!" Warrington said; "and, what is worst of all, sir, a clumsy humbug. I saw you look to see that the fire was out before you sent Walter Lorraine' behind the bars. No, we won't burn him: we will carry him to the Egyptians, and sell him. We will exchange him away for money, yea, for silver and gold, and for beef and for liquors, and for tobacco and for raiment. This youth will fetch some price in the market; for he is a comely lad, though not over strong; but we will fatten him up, and give him the bath, and curl his hair, and we will sell him for a hundred piastres to Bacon or to Bungay. The rubbish is saleable enough, sir; and my advice to you is this: the next time you go home for a holiday, take Walter Lorraine' in your carpet-bag-give him a more modern air, prune away, though sparingly, some of the green passages, and add a little comedy, and cheerfulness, and satire, and that sort of thing, and then we 'll take him to market, and sell him. The book is not a wonder of wonders, but it will do very well."

"Do you think so, Warrington?" said Pen, delighted, for this was great praise from his cynical friend.

“You silly young fool! I think it's uncommonly clever,” Warrington said in a kind voice. "So do you, sir." And with the manuscript

which he held in his hand he playfully struck Pen on the cheek. That part of Pen's countenance turned as red as it had ever done in the earliest days of his blushes: he grasped the other's hand and said, "Thank you, Warrington," with all his might: and then he retired to his own room with his book, and passed the greater part of the day upon his bed re-reading it: and he did as Warrington had advised, and altered not a little, and added a great deal, until at length he had fashioned" Walter Lorraine" pretty much into the shape in which, as therespected novel-reader knows, it subsequently appeared.

Whilst he was at work upon this performance, the good-natured Warrington artfully inspired the two gentlemen who "read" for Messrs. Bacon and Bungay with the greatest curiosity regarding "Walter Lorraine," and pointed out the peculiar merits of its distinguished author. It was at the period when the novel, called "The Fashionable," was in vogue among us; and Warrington did not fail to point out, as before, how Pen was a man of the very first fashion himself, and received at the houses of some of the greatest personages in the land. The simple and kindhearted Percy Popjoy was brought to bear upon Mrs. Bungay, whom he informed that his friend Pendennis was occupied upon a work of the most exciting nature; a work that the whole town would run after, full of wit, genius, satire, pathos, and every conceivable good quality. We have said before, that Bungay knew no more about novels than he did about Hebrew or Algebra, and neither read nor understood any of the books which he published and paid for; but he took his opinions from his professional advisers and from Mrs. B., and, evidently with a view to a commercial transaction, asked Pendennis and Warrington to dinner again.

Bacon, when he found that Bungay was about to treat, of course, began to be anxious and curious, and desired to out-bid his rival. Was any thing settled between Mr. Pendennis and the odious house “ over the way" about the new book? Mr. Hack, the confidential reader, was told to make inquiries, and see if any thing was to be done, and the result of the inquiries of that diplomatist, was, that one morning, Bacon himself toiled up the stair-case of Lamb Court, and to the door on which the names of Mr. Warrington, and Mr. Pendennis, were painted.

For a gentleman of fashion as poor Pen was represented to be, it must be confessed, that the apartments he and his friend occupied, were not very suitable. The ragged carpet had grown only more ragged during the two years of joint occupancy: a constant odour of tobacco perfumed the sitting-room: Bacon tumbled over the laundress's buckets in the passage through which he had to pass; Warrington's shooting jacket was as tattered at the elbows as usual; and the chair which Bacon was requested to take on entering, broke down with the publisher. Warrington burst out laughing, said that Bacon had got the game chair, and bawled out to Pen to fetch a sound one from his bed-room. And seeing the publisher looking round the dingy room with an air of profound pity and wonder, asked him whether he didn't think the apartments were elegant, and if he would like, for Mrs. Bacon's drawing-room, any of the articles of furniture? Mr. Warrington's character as a humourist, was known to Mr. Bacon: "I never can make that chap out," the publisher was heard to say, or tell whether he is in earnest or only chaffing."

66

It is very possible that Mr. Bacon would have set the two gentlemen down as impostors altogether, but that there chanced to be on the breakfast-table certain cards of invitation which the post of the morning had brought in for Pen, and which happened to come from some very exalted personage of the beau-monde, into which our young man had his introduction. Looking down upon these, Bacon saw that the Marchioness of Steyne would be at home to Mr. Arthur Pendennis upon a given day, and that another lady of distinction proposed to have dancing at her house upon a certain future evening. Warrington saw the admiring publisher eyeing these documents. "Ah," said he, with an air of simplicity, "Pendennis is one of the most affable young men I ever knew, Mr. Bacon. Here is a young fellow that dines with all the great men in London, and yet he'll take his mutton-chop with you and me quite contentedly. There's nothing like the affability of the old English gentleman."

"O no, nothing," said Mr. Bacon.

"And you wonder why he should go on living up three pair of stairs with me, don't you, now? Well, it is a queer taste. But we are fond of each other; and as I can't afford to live in a grand house, he comes and stays in these ricketty old chambers with me. He's a man that

can afford to live any where."