Why We Read Fiction: Theory of Mind and the NovelOhio State University Press, 2006 - 198 Seiten Why We Read Fiction offers a lucid overview of the most exciting area of research in contemporary cognitive psychology known as "Theory of Mind" and discusses its implications for literary studies. It covers a broad range of fictional narratives, from Richardson s Clarissa, Dostoyevski's Crime and Punishment, and Austen s Pride and Prejudice to Woolf's Mrs. Dalloway, Nabokov's Lolita, and Hammett s The Maltese Falcon. Zunshine's surprising new interpretations of well-known literary texts and popular cultural representations constantly prod her readers to rethink their own interest in fictional narrative. Written for a general audience, this study provides a jargon-free introduction to the rapidly growing interdisciplinary field known as cognitive approaches to literature and culture. |
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Theory of Mind and the Novel Lisa Zunshine. Why We Read Fiction THEORY OF MIND AND THE NOVEL Lisa Zunshine THE OHIO STATE UNIVERSITY PRESS COLUMBUS Copyright 2006 by The Ohio State University . All rights.
Theory of Mind and the Novel Lisa Zunshine. Why We Read Fiction THEORY OF MIND AND THE NOVEL Lisa Zunshine THE OHIO STATE UNIVERSITY PRESS COLUMBUS Copyright 2006 by The Ohio State University . All rights.
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Theory of Mind and the Novel Lisa Zunshine. Copyright 2006 by The Ohio State University . All rights reserved . Library of Congress Cataloging - in - Publication Data Zunshine , Lisa . Why we read fiction : theory of mind and the novel ...
Theory of Mind and the Novel Lisa Zunshine. Copyright 2006 by The Ohio State University . All rights reserved . Library of Congress Cataloging - in - Publication Data Zunshine , Lisa . Why we read fiction : theory of mind and the novel ...
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... Reading ( Also Known as Theory of Mind ) ? 3. Theory of Mind , Autism , and Fiction : Four Caveats 3 6 10 4. " Effortless " Mind - Reading 13 5. Why Do We Read Fiction ? 16 6 . The Novel as a Cognitive Experiment 22 7. Can Cognitive ...
... Reading ( Also Known as Theory of Mind ) ? 3. Theory of Mind , Autism , and Fiction : Four Caveats 3 6 10 4. " Effortless " Mind - Reading 13 5. Why Do We Read Fiction ? 16 6 . The Novel as a Cognitive Experiment 22 7. Can Cognitive ...
Seite vi
... READ (AND WRITE) FICTION? 1. Authors Meet Their Readers 159 2. Is This Why We Read Fiction? Surely, There Is More to It! 162 Notes Bibliography Index 165 181 193 Illustrations ~ ~ Figure 1 “Of course I care about vi Contents.
... READ (AND WRITE) FICTION? 1. Authors Meet Their Readers 159 2. Is This Why We Read Fiction? Surely, There Is More to It! 162 Notes Bibliography Index 165 181 193 Illustrations ~ ~ Figure 1 “Of course I care about vi Contents.
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Inhalt
What Is MindReading Also Known as Theory of Mind? | 6 |
Effortless MindReading | 13 |
6 | 22 |
8 | 36 |
1 | 47 |
Everyday Failures of SourceMonitoring | 58 |
The Progress of the Elated Bridegroom | 82 |
The Deadly Demon Meets and Destroys | 100 |
Metarepresentationality and Some Recurrent Patterns of | 128 |
Always Historicize | 153 |
Authors Meet Their Readers | 159 |
Notes | 165 |
181 | |
193 | |
196 | |
What Does It Take to Suspect Everybody? | 121 |
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Häufige Begriffe und Wortgruppen
Alan Richardson argued argument Asperger Syndrome autism aware behavior Cambridge University Press Carruthers characters Clarissa cognitive adaptations cognitive evolutionary cognitive literary Cognitive Science cognitive scientists complex Cosmides and Tooby cultural Dalloway David Herman Detective Fiction detective narrative detective novel detective story emotional engage example experimentation explain feelings Fictional Minds fictional narratives focused Ganimard Gaudy Night genre human Humbert Ibid imagine implied interpretation keep track Lady Bruton levels of intentionality literary critics literature Lolita Lovelace Lovelace’s Lupin married mental metarepresentational ability metarepresentational capacity metarepresentational framing metarepresentationality mind-reading Miss Partington murder mystery Nabokov Narratology nymphet observes Palmer particular people’s person perspective Phelan plot possible protagonist psychological Rabinowitz read fiction readers representation Richardson romance social source tag pointing source-monitoring suspect tells Theory of Mind thought tion tional tive truth unreliable narrator Uta Frith wants whodunit Woolf writers York