Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 28Gale Research Company, 1984 |
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Seite 88
... force.23 Both of the characters know that they are only " playing " that they are not speaking " seriously " in Austin's sense - yet for both Rosalind and Orlando the scene seems to mark a shift in their relation and an end to their ...
... force.23 Both of the characters know that they are only " playing " that they are not speaking " seriously " in Austin's sense - yet for both Rosalind and Orlando the scene seems to mark a shift in their relation and an end to their ...
Seite 154
... force . The extremity of the combatants ' situation provides the opportunity for heroic exploit . In it the soldiers tap their full potential , registered in the epic effort depicted in the close - up shots of their faces . Branagh uses ...
... force . The extremity of the combatants ' situation provides the opportunity for heroic exploit . In it the soldiers tap their full potential , registered in the epic effort depicted in the close - up shots of their faces . Branagh uses ...
Seite 399
... force to the hero.16 Since the sociopolitical situation of civil obedi- ence necessary for the tragic hero is absent from Coriola- nus's Rome , the play becomes a depository of the charac- teristics constituting an alienation from the ...
... force to the hero.16 Since the sociopolitical situation of civil obedi- ence necessary for the tragic hero is absent from Coriola- nus's Rome , the play becomes a depository of the charac- teristics constituting an alienation from the ...
Inhalt
Texts and Revels in Twelfth Night | 1 |
Jonas Barish Mixed Verse and Prose in Shakespearean Comedy | 9 |
Shakespeare Psychoanalysis History | 15 |
Urheberrecht | |
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