Milton and His PoetryHarrap, 1914 - 184 Seiten |
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Seite 21
... classical mythology and quite foreign to the temper of the Hebrew mind . We have here a first slight indication of that union of the Hebraic and the classical which , as we shall see , was afterwards so marked a feature of his work ...
... classical mythology and quite foreign to the temper of the Hebrew mind . We have here a first slight indication of that union of the Hebraic and the classical which , as we shall see , was afterwards so marked a feature of his work ...
Seite 35
... classical imagery and ideas it is entirely in keeping with the poetic habits of a time when , under the powerful traditions of the Renaissance , men perpetually drew upon pagan literature and mythology even when they were dealing with ...
... classical imagery and ideas it is entirely in keeping with the poetic habits of a time when , under the powerful traditions of the Renaissance , men perpetually drew upon pagan literature and mythology even when they were dealing with ...
Seite 48
... secure delight The upland hamlets will invite , When the merry bells ring round , And the jocund rebecks sound 1 Stock - names of rustics in classical pastoral poetry . To many a youth , and many a maid , 48 MILTON & HIS POETRY.
... secure delight The upland hamlets will invite , When the merry bells ring round , And the jocund rebecks sound 1 Stock - names of rustics in classical pastoral poetry . To many a youth , and many a maid , 48 MILTON & HIS POETRY.
Seite 50
... used by actors in tragedy . Lydian music was proverbially tender and voluptuous . The story of Orpheus and Eurydice will be found in any classical dictionary . 1 2 IL PENSEROSO Hence , vain deluding Joys , 50 MILTON & HIS POETRY.
... used by actors in tragedy . Lydian music was proverbially tender and voluptuous . The story of Orpheus and Eurydice will be found in any classical dictionary . 1 2 IL PENSEROSO Hence , vain deluding Joys , 50 MILTON & HIS POETRY.
Seite 61
... classical learning which he naturally incorporated in it . What we have called the Hellenic and the Hebraic elements in his work are now clearly beginning to change their relative proportions ; for while the vehicle adopted shows the ...
... classical learning which he naturally incorporated in it . What we have called the Hellenic and the Hebraic elements in his work are now clearly beginning to change their relative proportions ; for while the vehicle adopted shows the ...
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Andrew Marvell Angel appear Areopagitica beauty blind Bunhill Fields called character Chorus Church classical cloud Comus Cromwell dark daughter delight Diodati divine doth Elder elegy England English epic eternal ev'n ev'ry evil eyes fair faith flocks genius Goddess Greek hast hath Heav'n heroic ideal influence inspired interest John Milton king Lady learning liberty light literature live Lycidas Mark Pattison marriage Milton mind moral Muse never night nightly noble Nymph o'er Paradise Lost Paradise Regained passage passion pastoral peace Penseroso poem poet poet's poetic POETRY political pow'r prose pure Puritan religious remaining Renaissance Restoration Samson Agonistes shepherd sing Smectymnuus song sonnet soul spirit Stopford Brooke sweet temper thee theme thence things Thomas Ellwood thou thought tion tragedy verse virgin virtue W. H. Hudson wife WILLIAM HENRY HUDSON wing young youth