The Lives of the Most Eminent British Painters and Sculptors, Band 3J. & J. Harper, 1835 |
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Seite 20
... desses , and fauns with cloven heels , at due distances about groves and lawns , " Homer , Cæsar , and Nebuchadnezzar , All standing naked in the open air , ” was , according to the creed of the time , 20 EMINENT SCULPTORS .
... desses , and fauns with cloven heels , at due distances about groves and lawns , " Homer , Cæsar , and Nebuchadnezzar , All standing naked in the open air , ” was , according to the creed of the time , 20 EMINENT SCULPTORS .
Seite 28
... standing in the world's esteem , wanting strength of mind to comprehend what is original , they can only measure by the standard of other men's excellence ; and the sculptor who chal- lenges their notice through a shadowy resemblance to ...
... standing in the world's esteem , wanting strength of mind to comprehend what is original , they can only measure by the standard of other men's excellence ; and the sculptor who chal- lenges their notice through a shadowy resemblance to ...
Seite 38
... standing figures have a natural sentiment in their actions , and simple grandeur in their draperies , such as we admire in the paintings of Raphael . The third of these works is the monument of Richard Beauchamp , Earl of Warwick , in ...
... standing figures have a natural sentiment in their actions , and simple grandeur in their draperies , such as we admire in the paintings of Raphael . The third of these works is the monument of Richard Beauchamp , Earl of Warwick , in ...
Seite 48
... standing , hold- ing up a prism , and between his hand and the thought stamped upon his brow there is a visible connexion and harmony . He exhibits a calm colossal vigour of intellect , such as we have reason to believe was the ...
... standing , hold- ing up a prism , and between his hand and the thought stamped upon his brow there is a visible connexion and harmony . He exhibits a calm colossal vigour of intellect , such as we have reason to believe was the ...
Seite 56
... standing with his arms folded and his looks fixed upon one of those knightly figures which support the canopy over the statue of Sir Francis Vere . As he approached , the artist laid his hand on his arm , pointed to the figure , and ...
... standing with his arms folded and his looks fixed upon one of those knightly figures which support the canopy over the statue of Sir Francis Vere . As he approached , the artist laid his hand on his arm , pointed to the figure , and ...
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Achilles admiration Alexander Johnston allegory ancient angels antique appeared artist Bacon Banks beauty bust bust sculpture carved character Chatsworth chisel Church Cibber clay Damer daughter designs dignity divine drapery drawings Duke Edward Walpole elegance Elgin marbles eminent executed exhibited fame father favourite feeling figures Flaxman gallery gave genius Gibbons Gothic grace Greece groups guineas hand head hero Hesiod Homer honour Horace Walpole imagined imbody Italy John Flaxman Joseph Nollekens labour lady living look Lord Lord Castlereagh loved magnificent marble ment merit Michael Angelo mind monu monument nature never noble Nollekens painter painting pedestal person Phidias plaster pleased poet poetic poetry portrait pounds praise Rome Roubiliac Royal Academy says Smith sculp sculptor seems sentiment simplicity sketches skilful skill spirit splendid statue talents taste thing thought thousand guineas tion ture Venus Walpole Westminster Abbey wife Wilton workmanship