The Lives of the Most Eminent British Painters and Sculptors, Band 3J. & J. Harper, 1835 |
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Seite 5
... Sculp- ture is that of Grinling Gibbons ; of whose birth and parentage we have from Vertue two different accounts ; both particular and both probably erro- neous . The one authority , Murray , the painter , relates , that he was born in ...
... Sculp- ture is that of Grinling Gibbons ; of whose birth and parentage we have from Vertue two different accounts ; both particular and both probably erro- neous . The one authority , Murray , the painter , relates , that he was born in ...
Seite 28
... sculp- ture , seems to have been somewhat infected with the notions of the poet and the bishop . In con- cluding his lecture on English Sculpture , he men- tions Cibber " and the mad figures on the piers of Bedlam gates : " had he ...
... sculp- ture , seems to have been somewhat infected with the notions of the poet and the bishop . In con- cluding his lecture on English Sculpture , he men- tions Cibber " and the mad figures on the piers of Bedlam gates : " had he ...
Seite 32
... sculp- tor of Lyons was recalled to memory - an invitation was given , promises were made , and Roubiliac came over . Some have pronounced the circumstance of his working in the studies of Carter and Cheere to be inconsistent with this ...
... sculp- tor of Lyons was recalled to memory - an invitation was given , promises were made , and Roubiliac came over . Some have pronounced the circumstance of his working in the studies of Carter and Cheere to be inconsistent with this ...
Seite 39
... sculp- tured and shown forth as lessons in virtue to the illiterate and the barbarous . There were no colossal statues nor enormous monuments of fantastic sculp- ture and architecture , showing the heavens above and the earth beneath in ...
... sculp- tured and shown forth as lessons in virtue to the illiterate and the barbarous . There were no colossal statues nor enormous monuments of fantastic sculp- ture and architecture , showing the heavens above and the earth beneath in ...
Seite 46
... sculp- tor's chisel . They are left as they came from the hand of the mason who rough - hewed from the model . The Dutch influence of Scheemakers descending from the days of King William , and the hold which Rysbrach had taken of the ...
... sculp- tor's chisel . They are left as they came from the hand of the mason who rough - hewed from the model . The Dutch influence of Scheemakers descending from the days of King William , and the hold which Rysbrach had taken of the ...
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Achilles admiration Alexander Johnston allegory ancient angels antique appeared artist Bacon Banks beauty bust bust sculpture carved character Chatsworth chisel Church Cibber clay Damer daughter designs dignity divine drapery drawings Duke Edward Walpole elegance Elgin marbles eminent executed exhibited fame father favourite feeling figures Flaxman gallery gave genius Gibbons Gothic grace Greece groups guineas hand head hero Hesiod Homer honour Horace Walpole imagined imbody Italy John Flaxman Joseph Nollekens labour lady living look Lord Lord Castlereagh loved magnificent marble ment merit Michael Angelo mind monu monument nature never noble Nollekens painter painting pedestal person Phidias plaster pleased poet poetic poetry portrait pounds praise Rome Roubiliac Royal Academy says Smith sculp sculptor seems sentiment simplicity sketches skilful skill spirit splendid statue talents taste thing thought thousand guineas tion ture Venus Walpole Westminster Abbey wife Wilton workmanship