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Seite 112
To distinguish between correctness of drawing , and that part which respects the imagination , we may say the one approaches to the mechanical ( which in its way too may make just pretensions to genius ) , and the other to the poetical ...
To distinguish between correctness of drawing , and that part which respects the imagination , we may say the one approaches to the mechanical ( which in its way too may make just pretensions to genius ) , and the other to the poetical ...
Seite 152
In comparing different poets with each other , we should inquire which have brought into the fullest play our imagination and our reason , or have created the greatest excitement and produced the greatest harmony .
In comparing different poets with each other , we should inquire which have brought into the fullest play our imagination and our reason , or have created the greatest excitement and produced the greatest harmony .
Seite 911
His imagination is a fool , and it goeth in a pied coat of red and white ; shortly he is translated out of a man into folly ; his imagination is the glass of lust , and himself the traitor to his own discretion .
His imagination is a fool , and it goeth in a pied coat of red and white ; shortly he is translated out of a man into folly ; his imagination is the glass of lust , and himself the traitor to his own discretion .
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Inhalt
HUGH LATIMER 14911555 | 1 |
FRANCIS BACON BARON VERULAM VISCOUNT ST ALBANS 15611626 | 17 |
BEN JONSON 15731637 | 23 |
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Bibliografische Informationen
| Titel | The Hundred Best English Essays |
| Herausgeber | Frederick Edwin Smith Earl of Birkenhead |
| Ausgabe | 4 |
| Verlag | Cassell, 1929 |
| Original von | die University of Virginia |
| Digitalisiert | 12. Juni 2009 |
| ISBN | 0848273869, 9780848273866 |
| Länge | 921 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |