Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 12-13Indiana University Press, 1989 |
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Seite 29
... sound , and light , " Cage will write in 1956 , " is expressive , but what it expresses is determined by each one of you .... " Thus it would be misleading to interpret Cage's refusal of value judgments only in a negative way , as if ...
... sound , and light , " Cage will write in 1956 , " is expressive , but what it expresses is determined by each one of you .... " Thus it would be misleading to interpret Cage's refusal of value judgments only in a negative way , as if ...
Seite 46
... sound - pattern , just as the syncopation is not allowed to interrupt the basic meter . In Europe the saxophone is considered representative of this sound , the instrument against which the resistance has con- centrated its forces . In ...
... sound - pattern , just as the syncopation is not allowed to interrupt the basic meter . In Europe the saxophone is considered representative of this sound , the instrument against which the resistance has con- centrated its forces . In ...
Seite 67
... sound ; a subjective tone which dissolves itself by revealing its mechanical aspect . Of all the instruments , this coloration is most genuinely recognizable in the unbearable Wurlitzer organ . In it , the character of the jazz vibrato ...
... sound ; a subjective tone which dissolves itself by revealing its mechanical aspect . Of all the instruments , this coloration is most genuinely recognizable in the unbearable Wurlitzer organ . In it , the character of the jazz vibrato ...
Inhalt
1 FallWinter 198990 | 2 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
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