Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 12-13Indiana University Press, 1989 |
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Seite 34
... present sensation . " " In this form of existential music , " Rochberg adds , " the present erases the past by allowing no recall or return ; and promises no future since the present happening is sufficient to itself , requir ing no ...
... present sensation . " " In this form of existential music , " Rochberg adds , " the present erases the past by allowing no recall or return ; and promises no future since the present happening is sufficient to itself , requir ing no ...
Seite 35
... present , just as it keeps open the coming ( future ) by withholding the present in this coming , that is , by denying it its being present . Thus , the proximity which brings near has the character of a denial and withholding ...
... present , just as it keeps open the coming ( future ) by withholding the present in this coming , that is , by denying it its being present . Thus , the proximity which brings near has the character of a denial and withholding ...
Seite 77
... present in the billiards ensemble , and at the grandly conceived finale when the " Alabama Song , " with its " We've lost our dear old mama , " appears as a gentle Cantus firmus and , with the greatest scenic effect , is revealed as the ...
... present in the billiards ensemble , and at the grandly conceived finale when the " Alabama Song , " with its " We've lost our dear old mama , " appears as a gentle Cantus firmus and , with the greatest scenic effect , is revealed as the ...
Inhalt
1 FallWinter 198990 | 2 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
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