Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 12-13Indiana University Press, 1989 |
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Seite 80
... position . " 1 " Hedda is all of us . " The married woman's response to Elizabeth Robins's portrayal of Hedda differs from Walkley's interested scrutiny in the power of its identification , opening access not only to masochistic ...
... position . " 1 " Hedda is all of us . " The married woman's response to Elizabeth Robins's portrayal of Hedda differs from Walkley's interested scrutiny in the power of its identification , opening access not only to masochistic ...
Seite 158
... position for collective action . Equally disquieting is the constant theoreti- cal critique that such a position seems to generate . Kristeva is specifically arguing for a practice that is highly provisional , operating at the level of ...
... position for collective action . Equally disquieting is the constant theoreti- cal critique that such a position seems to generate . Kristeva is specifically arguing for a practice that is highly provisional , operating at the level of ...
Seite 48
... position in Syntagma's grand treatment of fragmentation . When in conjunction with the concern for movement , the split frames ( frequently dividing the images of the woman ) , the truncated body parts , and the fragmentation implicit ...
... position in Syntagma's grand treatment of fragmentation . When in conjunction with the concern for movement , the split frames ( frequently dividing the images of the woman ) , the truncated body parts , and the fragmentation implicit ...
Inhalt
1 FallWinter 198990 | 2 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 39 |
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